On January 1, 1990, the song "Shab-e-Firaq Ki Yaaro" was released by Abida Parveen. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 5 out of 7 in Abida Parveen, Vol. 12 by Abida Parveen. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Shab-e-Firaq Ki Yaaro is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Shab-e-Firaq Ki Yaaro by Abida Parveen is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Asaan Dil | Attaullah Khan | A Major | 7 | 11B | 147 BPM | ||
| Ehna Ghuse Ghuse Raven Das | Gurdas Maan | D♭ Major | 5 | 3B | 138 BPM | ||
| NAAD-E-ALI (a.s.) | Abida Parveen | G Major | 9 | 9B | 180 BPM | ||
| Tere Viah Da Card | Surinder Bachan, Ranjit Mani | D Major | 5 | 10B | 90 BPM | ||
| Peke Jaan Waliye | Asa Singh Mastana | F Major | 6 | 7B | 90 BPM | ||
| Rakh Leho Deen Dayal | Prof. Darshan Singh Khalsa | F♯ Major | 2 | 2B | 133 BPM | ||
| Ek Lafze Mohhabat Ka Adna Yeh Fasana Hai | Traditional, Abida Parveen, Jigar Moradabadi | A♭ Major | 4 | 4B | 112 BPM | ||
| Tum Zid To Kar Rahe | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Toon Sabni Thayin Jitthe Hau | Bhai Nirmal Singh Khalsa | D Major | 5 | 10B | 130 BPM | ||
| Rajan Ke Raja | North Kirtan Studio, Bhai Anantvir Singh Ji | F Minor | 7 | 4A | 137 BPM | ||
| Jindagi Aaj Fir Satati Hai | Naushad Sabri | D♭ Major | 6 | 3B | 158 BPM | ||
| Balocha Zalima | Mansoor Ali Malangi | G Major | 3 | 9B | 118 BPM | ||
| Aisi Laal Tujh Bin Kaun Kare | Bhai Jagjeet Singh Babiha | D♭ Major | 4 | 3B | 138 BPM | ||
| Naar Chadh Gayee | Surinder Shinda, Harneet Neetu, Gulshan Komal | C Major | 9 | 8B | 170 BPM | ||
| Yeh Dhoop Kinara | Nayyara Noor | D Major | 3 | 10B | 80 BPM | ||
| Mil Mil Ke Bichhadne Ka Maza | Ghanshyam Vaswani | B Major | 3 | 1B | 127 BPM | ||
| We Main Chori Chori Tere Naai | Reshma | F♯ Major | 8 | 2B | 103 BPM | ||
| Ranjish hi Sahi Dil hi Dukhane | Mehdi Hassan | F♯ Minor | 4 | 11A | 166 BPM | ||
| Wo Qalander Hai | Sain Khawar | D♭ Major | 4 | 3B | 138 BPM | ||
| Jaap | Bhai Ravinder Singh | D♭ Major | 5 | 3B | 82 BPM | ||
| Tu Ae Aseer-e-Makaan | Abida Parveen | F Minor | 2 | 4A | 171 BPM | ||
| Tere Aane Ka Dhoka Sa | Farida Khanum | E♭ Minor | 2 | 2A | 108 BPM | ||
| Man Kunto Ali Maula | Abida Parveen | F Major | 9 | 7B | 95 BPM | ||
| Khamosh Hain Nazare | Mehdi Hassan | C Major | 4 | 8B | 118 BPM | ||
| Nigahein Ho Gain Pur Nam | Naseem Begum | A♭ Major | 3 | 4B | 105 BPM |