Christine Kane's ' "Nowhere Left to Go" was released on its scheduled release date, January 1, 2004. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Right Outta Nowhere". In this album, this song's track order is #6. Based on our statistics, Nowhere Left to Go's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Nowhere Left to Go by Christine Kane having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wildflowers in the Graveyard | Amber Rubarth | G Major | 1 | 9B | 80 BPM | ||
| Swimming to the Other Side | Emma's Revolution | C Major | 2 | 8B | 137 BPM | ||
| One Morning My Mother Said | Bere Mendoza | E♭ Major | 3 | 5B | 90 BPM | ||
| Moscow Song | Kris Delmhorst | A Major | 2 | 11B | 81 BPM | ||
| He Was Perfect | Unique Bay | E Major | 0 | 12B | 112 BPM | ||
| Scavenger | Lucy Kaplansky | E Major | 4 | 12B | 78 BPM | ||
| Tide And The River Rising (Oars) | Cindy Kallet | B♭ Major | 1 | 6B | 134 BPM | ||
| A Turn Upon The Hill | Caroline Herring | B♭ Major | 5 | 6B | 146 BPM | ||
| Next Best Western | Richard Shindell | G Major | 4 | 9B | 166 BPM | ||
| Time, Time | Amelia Curran | B♭ Major | 2 | 6B | 119 BPM | ||
| Carry Me Home | Karla Bonoff | D♭ Major | 4 | 3B | 103 BPM | ||
| If It's Alright With You | Catherine MacLellan | C Major | 6 | 8B | 180 BPM | ||
| Holding On | Cheryl Wheeler | E Major | 3 | 12B | 94 BPM | ||
| I Belong | VADU VECHI | D Major | 2 | 10B | 91 BPM | ||
| Gentle Soldier of My Soul | Dave Carter, Tracy Grammer | E♭ Major | 1 | 5B | 141 BPM | ||
| Sunday Morning (Up and Down My Street) | Gretchen Peters | C Major | 4 | 8B | 115 BPM | ||
| Something Fine | Karla Bonoff | A Major | 1 | 11B | 96 BPM | ||
| Seeing Stars | Meg Hutchinson | F♯ Major | 3 | 2B | 101 BPM | ||
| Fireflies | Lori McKenna | D Major | 3 | 10B | 111 BPM | ||
| Today | Ingemar Craigie | E Minor | 5 | 9A | 130 BPM | ||
| How to Be Real | Christine Kane | E Major | 4 | 12B | 94 BPM | ||
| How Not to Behave | Christine Kane | D♭ Major | 4 | 3B | 120 BPM | ||
| Holy As A Day Is Spent | Carrie Newcomer | A Major | 3 | 11B | 110 BPM | ||
| Nest | Ruth Moody | A Major | 3 | 11B | 85 BPM | ||
| Hold On | Catherine MacLellan | B♭ Major | 1 | 6B | 166 BPM |