Ghantasala, Bhanumathi Ramakrishna's ' "Parugulu Teeyaali" was released on its scheduled release date, December 31, 1951. The duration of This song is about 3 minutes long, at 3:14. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in S. R. Rao, Addepalli Rama Rao's "Malleeswari" album is number 7 out of 32. On top of that, India appears to be the country where this track was created. The popularity of Parugulu Teeyaali is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Parugulu Teeyaali by Ghantasala, Bhanumathi Ramakrishna to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ka Ka Ki Ki | Madhavapeddi Ramesh | D Minor | 6 | 7A | 136 BPM | ||
| Ondirulu Kanasinali | C. Ashwath, Ratnamala Prakash | D♭ Major | 6 | 3B | 120 BPM | ||
| Lakshmi Nivasa (Slokam) | Ghantashala, Arudra | E♭ Major | 4 | 5B | 131 BPM | ||
| Paar Magale | M. S. Viswanathan | G Major | 3 | 9B | 109 BPM | ||
| Dhachalante Dhagadhule | P. Susheela, Ghantasala | F Major | 5 | 7B | 78 BPM | ||
| Sayonara, Pt. 1 | M. Siva | E♭ Minor | 4 | 2A | 121 BPM | ||
| Raavoyi Chanamama Chandamma | A. M. Rajah, P. Leela | F♯ Minor | 5 | 11A | 142 BPM | ||
| Mahalakshmi Raave | Sindhu | F Major | 4 | 7B | 143 BPM | ||
| Telusukonave Chelli | P. Leela, A. M. Rajah | D♭ Major | 6 | 3B | 80 BPM | ||
| Oho Bangaru Chilaka | Jikki | C Major | 4 | 8B | 80 BPM | ||
| Mukkoti Devathalu | Ghantasala, Arudra | F♯ Minor | 4 | 11A | 185 BPM | ||
| Hari Namave Chanda / Dialogue : Namba Thai (Bhaktha Kumbara) - Bhaktha Kumbara / Soundtrack Version | Various Artists | E Minor | 7 | 9A | 109 BPM | ||
| Thiruneeril | Soolamangalam Sisters | C Minor | 2 | 5A | 151 BPM | ||
| Suryana Kanthige | Rajkumar, Kasturi Shankar | A♭ Major | 4 | 4B | 62 BPM | ||
| Vinudu Vinudu Ramayana Gaatha | P. Susheela, P. Leela | B Minor | 7 | 10A | 93 BPM | ||
| Evale Veena Paani | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | F Minor | 3 | 4A | 99 BPM | ||
| Bathroominalli | Vani Jairam, Hamsalekha | B Minor | 4 | 10A | 122 BPM | ||
| Neeli Kannula Needalona | P. B. Sreenivas, P. Susheela | F Minor | 4 | 4A | 128 BPM | ||
| Onnume Puriyale | J. P. Chandrababu, K.D. Santhanam | E Major | 2 | 12B | 135 BPM | ||
| Guruvige Guru | Dr. Rajkumar | D Major | 7 | 10B | 85 BPM | ||
| Haakida Janivaarava | B.R. Chaya, Shivamogga Subbanna | D Major | 8 | 10B | 115 BPM | ||
| Bhadrapada Shuklada | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, K.S. Surekha, B. R. Chaya, Nanditha, Soumya | F Major | 5 | 7B | 137 BPM | ||
| Theli Manchu | Vani Jairam | E Minor | 7 | 9A | 120 BPM | ||
| Kala Idhanee | Ghantashala, Samudrala Sr. | A♭ Major | 3 | 4B | 114 BPM | ||
| Sampige Maradha | B.K. Sumitra, R.N. Jayagopal | C Major | 5 | 8B | 123 BPM |