Michael Roberts's 'Acorss Floor #2' had a release date set for 2004. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Acorss Floor #2's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Original Music For Modern Dance Class". In this album, this song's track order is #17. In terms of popularity, Acorss Floor #2 is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Acorss Floor #2 by Michael Roberts having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Step on Pointe: Étude Medley | Michael Cherry | A♭ Major | 0 | 4B | 125 BPM | ||
| Grand Battement 4/4 32 Counts | Marina Stolyar | F Major | 1 | 7B | 0 BPM | ||
| Warm Up #1 | Michael Roberts | G Minor | 2 | 6A | 132 BPM | ||
| Combination #3 | Michael Roberts | A Minor | 2 | 8A | 126 BPM | ||
| Battement fondu 1 3x4 | Jorge L. Martínez | C Major | 2 | 8B | 76 BPM | ||
| Barre: Développés | Nolwenn Collet | G Major | 2 | 9B | 134 BPM | ||
| Rond de jamb a´terre in C-Minor | Konstantin Mortensen | C Major | 1 | 8B | 116 BPM | ||
| Rond de jamb á terre in C-Minor | Konstantin Mortensen | C Minor | 1 | 5A | 135 BPM | ||
| Plié 3/4: ¡Hola Casita! | Daniel Fifield | B Major | 2 | 1B | 120 BPM | ||
| Battements Tendus I | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Ronds de jambe a terre (vol. 3 barre) | 최선경 | E Major | 1 | 12B | 107 BPM | ||
| Facing the Barre | Miro Magloire, Wilhelm Burmann | C Minor | 1 | 5A | 209 BPM | ||
| Adagio: City Theme (Theme from Rudy) | Josu Gallastegui | D♭ Major | 1 | 3B | 65 BPM | ||
| Tendu 1 | Søren Bebe | D Minor | 1 | 7A | 102 BPM | ||
| Plie - 3/4 | Venti Petrov | G Major | 2 | 9B | 129 BPM | ||
| Across Floor #3 Moderate 7/4 1 Bar Intro | Michael Roberts | G Minor | 0 | 6A | 90 BPM | ||
| RDJ 3/4 - Songs without words, Book 1, Op. 19b: No. 2, Andante espressivo | Felix Mendelssohn, Erik Geddis | A♭ Major | 0 | 4B | 94 BPM | ||
| Pas De Basque, Balance | Whitefeather Productions | E♭ Major | 1 | 5B | 113 BPM | ||
| Barre: Ronds de jambe | Nolwenn Collet | E♭ Major | 1 | 5B | 89 BPM | ||
| Classical Walks 3/4 | Richard Maddock | C Major | 2 | 8B | 176 BPM | ||
| Pliés 1 (A Whole New World) | Ian Howells Music | D Minor | 1 | 7A | 124 BPM | ||
| Plié 3-4 | Venti Petrov | E♭ Major | 2 | 5B | 125 BPM | ||
| Piqué Turns | Robin Rhodin | B♭ Major | 1 | 6B | 109 BPM | ||
| Plie 3/4 64 Counts | Marina Stolyar | A Major | 0 | 11B | 116 BPM | ||
| Plies #1 | Michael Roberts | C Minor | 2 | 5A | 81 BPM |