"What Have I Done? (I Was Reeling In Something White And I Became Able To Do Anything I Made A Hole Imprisoned Time Within It Created Friction Stopped Listening To Warnings Ceased Fixing My Errors Made The Impossible Possible? Turned Sadness Into Joy) Pt." by Sumac, Keiji Haino had its release date on February 23, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 5 in American Dollar Bill - Keep Facing Sideways, You're Too Hideous To Look At Face On by Sumac, Keiji Haino. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. What Have I Done? (I Was Reeling In Something White And I Became Able To Do Anything I Made A Hole Imprisoned Time Within It Created Friction Stopped Listening To Warnings Ceased Fixing My Errors Made The Impossible Possible? Turned Sadness Into Joy) Pt. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of What Have I Done? (I Was Reeling In Something White And I Became Able To Do Anything I Made A Hole Imprisoned Time Within It Created Friction Stopped Listening To Warnings Ceased Fixing My Errors Made The Impossible Possible? Turned Sadness Into Joy) Pt. by Sumac, Keiji Haino is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shouting Judas at Bob Dylan | Sugar Horse | A Major | 3 | 11B | 100 BPM | ||
| Blood Moon | Haress | D Major | 3 | 10B | 99 BPM | ||
| Big writer's block | Coilguns | D Major | 9 | 10B | 122 BPM | ||
| Death Dreams | Qasu | D Major | 3 | 10B | 99 BPM | ||
| Energy Crystals for Healing | Couch Slut | G Major | 9 | 9B | 119 BPM | ||
| Blight's End Angel | Sumac | F Major | 8 | 7B | 118 BPM | ||
| Arcing Silver | Sumac | A Major | 7 | 11B | 115 BPM | ||
| I I - I I | Blood Abscission | D♭ Major | 4 | 3B | 110 BPM | ||
| Rigid Man | Sumac | F♯ Major | 8 | 2B | 87 BPM | ||
| Scene 5: Breathing Fire | Sumac, Moor Mother | E♭ Minor | 5 | 2A | 82 BPM | ||
| The Spell | Haunted Horses | D Major | 8 | 10B | 182 BPM | ||
| The Altar | Chained to the Bottom of the Ocean | D♭ Major | 5 | 3B | 129 BPM | ||
| Ikikäärme | Oranssi Pazuzu | F♯ Minor | 4 | 11A | 169 BPM | ||
| Iron Sights | Primitive Man | B Minor | 8 | 10A | 109 BPM | ||
| Loose Tooth | Idle Heirs | B Minor | 2 | 10A | 90 BPM | ||
| Back Muscle | YHWH Nailgun | B Minor | 10 | 10A | 185 BPM | ||
| Salt Sermon | Missouri Executive Order 44 | D♭ Major | 5 | 3B | 80 BPM | ||
| Volcanic Birth | Dragged Into Sunlight | C Major | 9 | 8B | 150 BPM | ||
| The Reply | Agriculture | D Major | 2 | 10B | 122 BPM | ||
| Into this juvenile apocalypse our golden blood to pour let us never | Keiji Haino, Sumac | G Major | 3 | 9B | 73 BPM | ||
| Mostly Hair and Bones Now | Gaza | G Major | 8 | 9B | 166 BPM | ||
| Holding Pattern | Big Brave | E Major | 7 | 12B | 123 BPM | ||
| Rigid Man in Vain (Kevin Drumm Remix) | Sumac, Kevin Drumm | F♯ Minor | 0 | 11A | 68 BPM | ||
| Hatful of Rain | Mamaleek | D Major | 7 | 10B | 75 BPM | ||
| Commerce | Primitive Man | D♭ Minor | 6 | 12A | 86 BPM |