Ramesh Parmar's ' "Mara Hari Ne Kya Jova Javu" was released on its scheduled release date, March 26, 1988. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Kanuda Ne Kejo Ekvar Gokul Aave Meera Bhajan, Vol. 1" album is number 2 out of 5. On top of that, India appears to be the country where this track was created. Based on our statistics, Mara Hari Ne Kya Jova Javu's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Mara Hari Ne Kya Jova Javu by Ramesh Parmar to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Siyaram Jay Ram Jay Jay Ram | Chintu Sewak | C Major | 8 | 8B | 105 BPM | ||
| Babo Panchrang Penchadhari | Gopal Bajaj | D♭ Major | 6 | 3B | 100 BPM | ||
| Prabhu Balmiki Bhagwan Aao | Tripti Shakya | B♭ Minor | 6 | 3A | 166 BPM | ||
| Hey Gauri Ke Nandan | Pandit Gaurangi Gauri Ji | E♭ Major | 9 | 5B | 156 BPM | ||
| Chado Mhara Purabji Ghode Re Aswar | Pemaram Jat | D Major | 4 | 10B | 173 BPM | ||
| Ardhi Madham Jedi Pavli | Ramesh Parmar, Meena Patel | A♭ Major | 8 | 4B | 178 BPM | ||
| Tujh Pe Marta Hoon | Chhote Majid Shola | B♭ Major | 6 | 6B | 119 BPM | ||
| Jogido Halya Gopichand | Mathur Kanjariya, Suresh Raval | F Major | 7 | 7B | 141 BPM | ||
| Kanak Bhawan Darwaje Khade Raho | Devendra Pathak | B♭ Major | 9 | 6B | 159 BPM | ||
| Humare Hai Shree Gurudev | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| TERI MAND MAND MUSAKANIYA | Mahesh Hiremath | A♭ Major | 5 | 4B | 129 BPM | ||
| Halke Se Mara Ke Bade Se Mara Bundeli Geet | JaiSingh Raja | B Minor | 8 | 10A | 78 BPM | ||
| Daya Ki Drishti Manmohan Agar Ek Baar Ho Jaaye | Rajeev Singh | C Major | 6 | 8B | 95 BPM | ||
| Dil Pe Teri Kanhaiya | Sanjay Mittal | B♭ Major | 6 | 6B | 116 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Mera Baba Kaate Rog | Narender Kaushik | B♭ Major | 8 | 6B | 131 BPM | ||
| Charkha Pare Hata Le Ree | Pt. Gyanendra Sharma | F♯ Major | 5 | 2B | 80 BPM | ||
| Hu To Dhole Ramune Hari Sambhade | Ramesh Parmar, Meena Patel | A♭ Major | 9 | 4B | 82 BPM | ||
| Halaji Tara Hath Vakhanu | Mathurbhai Kanjariya, Ramesh Parmar | E♭ Minor | 9 | 2A | 200 BPM | ||
| Bhala Bhanejda | Mathurbhai Kanjariya, Ramesh Parmar | G Major | 8 | 9B | 80 BPM | ||
| Madiye Thi Maiyaran Hake | Ramesh Parmar, Meena Patel | A♭ Major | 9 | 4B | 143 BPM | ||
| Sankat Mochan Naam Tiharo ( Hanuman Ashtak ) | Pankaj Mishra, Ravi Raj | E Major | 5 | 12B | 85 BPM | ||
| Ram Ko Dekh Kar Shri Janak Nandni | Rajesh Chandra, Deepak Rana, Vindo, Deepak Blue, Kuldeep | F♯ Major | 7 | 2B | 106 BPM | ||
| Dena Ho To Dijiye | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Me tere ishq me pyare badnam ho chuka hu | Mahaveer Sankhla | B♭ Major | 9 | 6B | 83 BPM |