"Aijā" by Andris Mattson had its release date on September 7, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 8 in the song's album "Solo". In this album, this song's track order is #1. Based on our statistics, Aijā's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Aijā by Andris Mattson having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A Future Untold | Shabaka | C Minor | 3 | 5A | 90 BPM | ||
| Iara 2.0 | Gianni Brezzo | A♭ Major | 7 | 4B | 130 BPM | ||
| Spring Theme | Fabiano do Nascimento, Vittor Santos e Orquestra | C Minor | 3 | 5A | 90 BPM | ||
| Yellow Days | Matt Wilde | D♭ Minor | 6 | 12A | 94 BPM | ||
| Dusty But Digital pt.3 - Dusty But Digital | Move 78, Monica Mussungo | A♭ Minor | 4 | 1A | 171 BPM | ||
| Logue | Tom Skinner, Contour | A Minor | 2 | 8A | 104 BPM | ||
| Dahlia | Okonski | D Minor | 2 | 7A | 66 BPM | ||
| Transcendence | Greg Foat, Jihad Darwish, Moses Boyd | A♭ Minor | 6 | 1A | 146 BPM | ||
| Something For Real | Kiefer, Luke Titus, Pera Krstajic | G Major | 3 | 9B | 82 BPM | ||
| Bright Sparking Light | Matthew Halsall | D♭ Major | 4 | 3B | 130 BPM | ||
| No Turning Back | Chip Wickham | E Minor | 7 | 9A | 85 BPM | ||
| Too Beautiful For A Cubicle | Peace Flag Ensemble | C Major | 1 | 8B | 88 BPM | ||
| Memento | Resavoir, Matt Gold | E Minor | 7 | 9A | 158 BPM | ||
| I'm Here, We're Here | Ralph Heidel | F♯ Major | 2 | 2B | 84 BPM | ||
| The Glass Pier | Open Studio | A Minor | 4 | 8A | 92 BPM | ||
| Do You Like | Melinda Sullivan, Larry Goldings | D♭ Major | 4 | 3B | 91 BPM | ||
| The Eternal Now | Chip Wickham | A Minor | 5 | 8A | 136 BPM | ||
| Before The Pyramids | Phi-Psonics | B♭ Minor | 3 | 3A | 102 BPM | ||
| Child | Greg Spero, MonoNeon, Robert "Sput" Searight | C Minor | 3 | 5A | 90 BPM | ||
| Assembling | Nora Stanley, Benny Bock | G Minor | 2 | 6A | 95 BPM | ||
| Prologue | Jasmine Myra | C Major | 0 | 8B | 120 BPM | ||
| somuchlove | John Keek | E♭ Major | 2 | 5B | 95 BPM | ||
| Sonic Youth | Yoni Mayraz | B♭ Minor | 7 | 3A | 134 BPM | ||
| At Yoshino Mountain | Ancient Infinity Orchestra | B Major | 0 | 1B | 66 BPM | ||
| From Winds | Clear Path Ensemble | G Minor | 5 | 6A | 102 BPM |