"Fünf Lieder, Op. 48: 4. Winterweihe" by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann had its release date on January 1, 2008. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Fünf Lieder, Op. 48: 4. Winterweihe's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Strauss, R.: Vier Letzte Lieder". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Fünf Lieder, Op. 48: 4. Winterweihe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fünf Lieder, Op. 48: 4. Winterweihe by Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
| The Firebird (L'oiseau De Feu) - Suite (1919): Finale | Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | E Major | 2 | 12B | 78 BPM | ||
| Die Frau ohne Schatten, Op. 65, TrV 234, Act I: Licht überm See (Live) | Richard Strauss, Frankfurter Opern- und Museumsorchester, Tanja Ariane Baumgartner, Dietrich Volle, Sebastian Weigle | B Major | 2 | 1B | 132 BPM | ||
| Khovanshchina: Prelude. Dawn on the Moscow River | Modest Mussorgsky, Orchester der Wiener Staatsoper, Claudio Abbado | D♭ Major | 0 | 3B | 99 BPM | ||
| Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
| Götterdämmerung, WWV 86D, Act I: Siegfried's Rhine Journey (Dawn and Siegfried's Rhine Journey) | Richard Wagner, Berliner Philharmoniker, Lorin Maazel | E♭ Major | 3 | 5B | 82 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | E♭ Major | 1 | 5B | 76 BPM | ||
| Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
| Abendlied, Op. 85, No. 12 (Arr. for String Orchestra by Johan Svendsen) | Robert Schumann, Lucerne Festival Strings, Daniel Dodds | B Major | 1 | 1B | 113 BPM | ||
| Tristan und Isolde, WWV 90: Prelude | Richard Wagner, Bayreuth Festival Orchestra, Karl Böhm | A Minor | 2 | 8A | 79 BPM | ||
| Elektra: Xxvi. Agamemnon hört dich! | Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
| Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
| Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
| Gounod: Roméo et Juliette: Ouverture | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: I. Grave (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Minor | 1 | 7A | 174 BPM | ||
| Elektra: Vi. Was heulst du? | Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | E Major | 4 | 12B | 89 BPM | ||
| Macbeth, Act III: Ballet Music | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 102 BPM | ||
| Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Gibt es kein hinüber?" (Ariadne, Bacchus, Najade, Dryade, Echo) | Hugo von Hofmannsthal, Richard Strauss, Rudolf Schock/Lisa Della Casa/Lisa Otto /Nada Puttar/Leonore Kirschstein/Berliner Philharmoniker/Alberto Erede, Alberto Erede, Berliner Philharmoniker | D♭ Major | 3 | 3B | 93 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Major | 0 | 8B | 89 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Der Rosenkavalier, Op. 59, TrV 227: Walzerfolge (Arr. for Cello and Piano by Julian Riem) | Richard Strauss, Raphaela Gromes, Julian Riem | E Major | 1 | 12B | 134 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: I. Andante sostenuto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Minor | 2 | 6A | 94 BPM |