On April 4, 2016, the song "Dill Pickles" was released by Harry Roy. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 23 in Down to New Orleans by Harry Roy. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Dill Pickles's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Dill Pickles by Harry Roy is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She's Never Been Seen Since Then | Jack Cottrell, George Formby | A Major | 4 | 11B | 132 BPM | ||
| Carolina in the Morning | Van & Schenck | G Major | 3 | 9B | 100 BPM | ||
| A Little Kiss Each Morning | Century Jukebox, Public Domain, Rudy Vallee and His Connecticut Yankees | A♭ Major | 3 | 4B | 94 BPM | ||
| You Gotta Know How to Dance | Bill Curne, Harry Roy | B♭ Major | 7 | 6B | 124 BPM | ||
| Tap Room Swing | Adrian Rollini | F♯ Major | 3 | 2B | 90 BPM | ||
| Meet Me Tonight in Dreamland | Glen Gray, Casa Loma Orchestra | G Minor | 3 | 6A | 97 BPM | ||
| Blondy | Jack Purvis, Smith Ballew and His Orchestra | B♭ Major | 3 | 6B | 97 BPM | ||
| Guilty | Harry Roy | D♭ Major | 1 | 3B | 96 BPM | ||
| Get out and Get Under the Moon | Van & Schenck | D♭ Minor | 1 | 12A | 130 BPM | ||
| Moonlight On The Ganges - Closing | Jimmy Dorsey | D Minor | 4 | 7A | 95 BPM | ||
| The World Will Sing Again (With Betty Driver) | Harry Roy | A♭ Major | 1 | 4B | 121 BPM | ||
| Black Panther | Harry Roy Orchestra, Harry Roy | G Major | 1 | 9B | 153 BPM | ||
| You're Driving Me Crazy | Jack Payne, His BBC Dance Orchestra | E♭ Major | 3 | 5B | 202 BPM | ||
| You'Rethe Cream In My Coffee | Jack Hylton | E♭ Major | 3 | 5B | 202 BPM | ||
| There Ain't No Land Like Dixieland to Me (feat. Bix Beiderbecke & Frank Trumbauer) | Broadway Bell Hops, Bix Beiderbecke, Frank Trumbauer | B♭ Major | 3 | 6B | 206 BPM | ||
| Baby | Alex Mendham and His Orchestra | C Major | 4 | 8B | 115 BPM | ||
| Brazil | Jimmy Dorsey | E Minor | 3 | 9A | 72 BPM | ||
| Nice People | Harry Roy, Ray Ellington | E♭ Major | 4 | 5B | 93 BPM | ||
| Let's stop the clock | Carroll Gibbons And The Savoy Hotel Orpheans | F Major | 3 | 7B | 131 BPM | ||
| I Like Pie I Like Cake - But I Like You Best of All | Goofus Five | E♭ Major | 2 | 5B | 94 BPM | ||
| Stars over Devon | Ivor Moreton, Harry Roy Orchestra, Harry Roy | C Major | 1 | 8B | 139 BPM | ||
| Scatterbrain | Carroll Gibbons And His Band | B♭ Major | 0 | 6B | 115 BPM | ||
| Honey | Rudy Vallee | C Minor | 2 | 5A | 125 BPM | ||
| A Mayfair Suite | Harry Roy, Bill Currie, Elizabeth Brooke | B♭ Major | 6 | 6B | 107 BPM | ||
| Taking a Chance on Love | Anne Shelton | G Minor | 3 | 6A | 97 BPM |