Rakesh Barot's ' "Prit Upar Gha Kari" was released on its scheduled release date, February 28, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Prit Upar Gha". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Prit Upar Gha Kari is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Prit Upar Gha Kari by Rakesh Barot having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kem Bhuli Tu Maro Pyar | Jignesh Kaviraj | F Minor | 10 | 4A | 65 BPM | ||
| Choklai Datan Korai Ekli Ekli Nache Re | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | A♭ Major | 8 | 4B | 124 BPM | ||
| Have Tari Yaad Ma | Jignesh Barot | A Minor | 9 | 8A | 146 BPM | ||
| Mane Java De Zat | Vikram Thakor, Shilpa Thakor | F Major | 5 | 7B | 110 BPM | ||
| Dukh Ma Pan Sukhi Hato | Pareshdan Gadhvi | B Minor | 8 | 10A | 142 BPM | ||
| Avsar Mari Matano Aayo | Babu Ahir | B♭ Major | 10 | 6B | 92 BPM | ||
| Tu To Rupiye Tolai | Jignesh Barot | A♭ Minor | 7 | 1A | 138 BPM | ||
| Dard - Female Version | Kajal Maheriya | D♭ Major | 9 | 3B | 110 BPM | ||
| Ek Taro Prem | Kishan Raval | C Major | 8 | 8B | 141 BPM | ||
| Maru Daldu Dhak Dhak Thay | Naresh Thakor | D♭ Major | 9 | 3B | 170 BPM | ||
| Chel Halke Re Hidoni | Jignesh Kaviraj, Tejal Thakor | D Major | 9 | 10B | 60 BPM | ||
| Dil Thi Hari Gaya | Rahul Thakor | F♯ Major | 9 | 2B | 121 BPM | ||
| Tu Badlay To Tane Kasam | Vikram Thakor, Saloni Thakor | B♭ Minor | 8 | 3A | 110 BPM | ||
| Sapnu | Rajni Dabhi | D♭ Major | 8 | 3B | 174 BPM | ||
| Pakhand Me Kuch Nahi Re Sadhu Bhai | Syam Paliwal | C Minor | 9 | 5A | 140 BPM | ||
| Meldi Maa Na Halariya Part.2 | JK Timba, Kaushik Bharwad | C Major | 7 | 8B | 82 BPM | ||
| Shree Bahuchar Meldi Maa Bareja Dham Ni Aarti | KHUNKHAAR MELDI BAREJA, Aahir Jeet-AJ | G Major | 7 | 9B | 140 BPM | ||
| Tharo Nirmal Niramal Pani Narbada Maharani | Maa Narmada Nimadi Bhajan | Ashwin Yadav | B♭ Minor | 6 | 3A | 181 BPM | ||
| Mahara Moriya | Ramlal Babar, Khatu Devi, Champe Khan, Ratan Podwal | G Major | 7 | 9B | 102 BPM | ||
| khati ambli | ISHWAR THAKOR | E Major | 8 | 12B | 118 BPM | ||
| Mahobbat Ni Dukan Che Amari | Kishan Raval | C Minor | 9 | 5A | 200 BPM | ||
| Mare Noto Pivone Payore | Kamlesh Barot | F♯ Minor | 9 | 11A | 128 BPM | ||
| Avsar | Kaushik Bharwad | E♭ Major | 7 | 5B | 170 BPM | ||
| Me Thane Sivaru | Moinuddin Manchala | F♯ Major | 8 | 2B | 98 BPM | ||
| Taro Intazar | Rahul Thakor | B Minor | 9 | 10A | 144 BPM |