Ray Stevens's ' "Along Came Jones" was released on its scheduled release date, January 1, 1969. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ray Stevens's "Gitarzan" album is number 7 out of 11. On top of that, United States appears to be the country where this track was created. Along Came Jones is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Along Came Jones by Ray Stevens to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| It's Hard To Kiss The Lips At Night That Chew Your Ass Out All Day Long | The Notorious Cherry Bombs | F Major | 5 | 7B | 97 BPM | ||
| Broken Lady | Larry Gatlin & The Gatlin Brothers | B♭ Major | 3 | 6B | 91 BPM | ||
| Gwen Congratulations | Johnny Chester | B Major | 5 | 1B | 108 BPM | ||
| I Never Picked Cotton | Roy Clark | B Major | 7 | 1B | 95 BPM | ||
| Alley Oop | The Hollywood Argyles | G Major | 5 | 9B | 63 BPM | ||
| Julie, Do Ya Love Me | Bobby Sherman | A Major | 6 | 11B | 83 BPM | ||
| Lizzie Borden | Chad Mitchell Trio | E♭ Major | 8 | 5B | 143 BPM | ||
| 1-2-3 Red Light | Ohio Express | D♭ Major | 4 | 3B | 127 BPM | ||
| Put Another Log On the Fire | Bill & Boyd | G Major | 4 | 9B | 104 BPM | ||
| Wildwood Weed | Jim Stafford | G Major | 4 | 9B | 90 BPM | ||
| When Will I Be Loved | Donna Fargo | E Major | 6 | 12B | 137 BPM | ||
| Dropkick Me, Jesus | Bobby Bare | C Major | 3 | 8B | 85 BPM | ||
| Charlie Brown | The Coasters | G Major | 5 | 9B | 63 BPM | ||
| HR Pufnstuf | Tracy Island | C Major | 4 | 8B | 99 BPM | ||
| Tie A Yellow Ribbon ‘Round The Ole Oak Tree | Tony Orlando | E♭ Major | 5 | 5B | 180 BPM | ||
| The Purple People Eater #2 | Sheb Wooley | G Major | 5 | 9B | 63 BPM | ||
| The Man Song | Latitude | D Major | 7 | 10B | 92 BPM | ||
| Ballad Of The Green Berets | Sgt. Barry Sadler | D♭ Major | 4 | 3B | 89 BPM | ||
| They're Coming To Take Me Away, Ha-Haaa! | Napoleon XIV | D♭ Major | 8 | 3B | 107 BPM | ||
| That Song Is Driving Me Crazy | Tom T. Hall | G Major | 5 | 9B | 82 BPM | ||
| Fishin' Worms | Heywood Banks | G Major | 7 | 9B | 174 BPM | ||
| Easy As Pie | Billy 'Crash' Craddock | G Major | 3 | 9B | 85 BPM | ||
| Heaven's Just A Sin Away | The Kendalls | D Major | 4 | 10B | 117 BPM | ||
| Dream Lover | Billy 'Crash' Craddock | E Major | 6 | 12B | 140 BPM | ||
| Arizona | Mark Lindsay | E♭ Major | 5 | 5B | 81 BPM |