On April 14, 1999, the song "Sari Naa Le Aayib" was released by Rekha Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rani's "Maza Le La" album is number 8 out of 8. On top of that, India appears to be the country where this track was created. Based on our statistics, Sari Naa Le Aayib's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Sari Naa Le Aayib by Rekha Rani to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ho Gori Sanch Hu Tu Jannat Ke Hoor - From "Doli Chadh Ke Dulhin Sasurar Chalali" | Pawan Singh | A♭ Major | 9 | 4B | 90 BPM | ||
| Le Nach Mari Binani | Hemraj Saini | G Major | 10 | 9B | 126 BPM | ||
| Jodi No 1 | Deep Khadrai, Jagdish Sharma | A♭ Minor | 7 | 1A | 177 BPM | ||
| Bhosadi Wala | Antra Singh Priyanka | D♭ Major | 10 | 3B | 170 BPM | ||
| Babe Da Rot Chada Bhagta | Mukesh Pattiwala, Rekha Rani | A♭ Major | 8 | 4B | 160 BPM | ||
| Naya Naya Driver | Samar Singh | F♯ Minor | 10 | 11A | 80 BPM | ||
| 2 Botlan | RK Raman, Kangra Boys | D Minor | 5 | 7A | 108 BPM | ||
| Jabse Bhayili Mahatarayin | Pawan Singh | A♭ Minor | 8 | 1A | 156 BPM | ||
| Tohara Pyaar Karin Hum | Rekha Rani | A♭ Major | 8 | 4B | 110 BPM | ||
| Dhokha Je Tei Dita Muiye | Dharmej Saundhu, Rekha Rani | B♭ Minor | 7 | 3A | 78 BPM | ||
| Thana Bate Babhan Ke Jamin Me | Raja Singh, Yashika Chandra | B♭ Minor | 10 | 3A | 124 BPM | ||
| Nana Nana Baje Gugara | Gokul Sharma | A♭ Major | 9 | 4B | 136 BPM | ||
| Rampyari (feat. Pranjal Dahiya,Rahul Bassi) | Harjeet Deewana, Pranjal Dahiya, Rahul Bassi | D♭ Minor | 9 | 12A | 100 BPM | ||
| Dubai | Shilpi Raj, Bablu Rajbhar | A♭ Major | 10 | 4B | 155 BPM | ||
| Saiyan Mare Satasat | Radhe Shyam Rasiya, Sarmista | G Minor | 7 | 6A | 156 BPM | ||
| Murga Bechain Bate | Arvind Akela Kallu Ji, Pawan Singh | B♭ Minor | 9 | 3A | 135 BPM | ||
| Meri Sajni Shiwani | Raj Thakur | B Major | 7 | 1B | 161 BPM | ||
| Maharana Pratap Ki Dharti Virari Dharti Surari | Gokul Sharma | B Minor | 8 | 10A | 80 BPM | ||
| Hai Tor Dunu Indicator | Awadhesh Premi Yadav | D♭ Major | 10 | 3B | 125 BPM | ||
| Titali Shahar Ke (From "Balma Bada Nadan 2") | Neelkamal Singh, Priyanka Singh | B Major | 8 | 1B | 98 BPM | ||
| Dihi Injection Hamra Ke | Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Aane Kera Taim Dei Jaandi | Dharmej Saundhu, Rekha Rani | G Minor | 9 | 6A | 123 BPM | ||
| Meri Raati Diyan Neendran | Darmaiz Sondhu, Rekha Rani | D♭ Minor | 8 | 12A | 82 BPM | ||
| Baagi Baliya Ke Shan | Gopal Rai | B♭ Minor | 10 | 3A | 156 BPM | ||
| Gore Rang Badaniya | Udit Narayan, Kalpana Patowary | A♭ Minor | 9 | 1A | 160 BPM |