- BPM
- 132
- Key
- G Major
- Camelot
- 9B
Pagliacci, Act I: "Un grande spettacolo a venitirè ore" (Canio) by Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco Song Details
Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco's 'Pagliacci, Act I: "Un grande spettacolo a venitirè ore" (Canio)' had a release date set for December 12, 2014. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Pagliacci, Act I: "Un grande spettacolo a venitirè ore" (Canio)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco, Gabriella Tucci's "Leoncavallo: Pagliacci" album is number 3 out of 17. Based on our statistics, Pagliacci, Act I: "Un grande spettacolo a venitirè ore" (Canio)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Pagliacci, Act I: "Un grande spettacolo a venitirè ore" (Canio) by Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Music Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -21.497 dB
- Acousticness
- 95%
- Danceability
- 37%
- Energy
- 20%
- Instrumentalness
- 0%
- Liveness
- 21%
- Loudness
- 64%
- Speechiness
- 6%
- Valence
- 30%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Fedora: Amor ti vieta | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | C Major | 2 | 8B | 177 BPM | |
 | Torna A Surriento | Giuseppe Di Stefano | E Major | 3 | 12B | 86 BPM | |
 | Don Giovanni, K.527, Act I Scene 14: Dalla sua pace | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | |
 | O Sole Mio | Enrico Caruso | G Major | 4 | 9B | 84 BPM | |
 | Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 0 | 10B | 79 BPM | |
 | Ridi pagliaccio | Mario del Monaco | E Major | 4 | 12B | 120 BPM | |
 | Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | |
 | Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | |
 | Amarilli mia bella | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 72 BPM | |
 | La bohème, Act II: Quando men vo – Fuori il danaro! | Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 182 BPM | |
 | Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | |
 | Norma (1997 Digital Remaster): Casta Diva | Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 169 BPM | |
 | La boheme: Act IV: O Mimi, tu piu non torni (Rodolfo, Marcello) | Giacomo Puccini, Giuseppe Di Stefano, Maria Callas, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Carlo Badioli, Anna Moffo, Franco Ricciardi, Eraldo Coda, Carlo Forti, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | G Major | 2 | 9B | 93 BPM | |
 | Violin Concerto In D Major, Op. 61 | Berliner Philharmoniker, Yehudi Menuhin & Festival Orchestra Lucerne | B♭ Major | 2 | 6B | 95 BPM | |
 | Los Pescadores de Perlas "Mi Par D'udir Ancora" | Alfredo Kraus | G Major | 2 | 9B | 93 BPM | |
 | Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | |
 | Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | |
 | Guiseppe Verdi: Life and Works: Requiem: 'Rex tremendae' | Freddie Jones, Jeremy Siepmann | D♭ Major | 3 | 3B | 83 BPM | |
 | Pagliacci / Act 1: "E allor perché, di', tu m'hai stregato" | Ruggero Leoncavallo, Paolo Coni, Daniela Dessi, Philadelphia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 140 BPM | |
 | Per la gloria d'adorarvi | Giovanni Bononcini, Ramón Vargas | A Major | 2 | 11B | 112 BPM | |
 | Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | |
 | Die tote Stadt, Op. 12, Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Chor der Oper Frankfurt, Frankfurt Opera Children's Chorus, Frankfurter Opern- und Museumsorchester, Sebastian Weigle | B♭ Major | 1 | 6B | 88 BPM | |
 | Les soirées musicales: La danza (Già la luna è in mezzo al mare) | Gioachino Rossini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | F Major | 4 | 7B | 69 BPM | |
 | Rossini: Il Barbiere di Siviglia, Act I: "Largo al factotum" (Figaro) | Gioachino Rossini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | C Major | 3 | 8B | 134 BPM | |
 | Massenet: Werther, Act 3: "Toute mon âme est là !" - "Pourquoi me réveiller" (Werther, Charlotte) | Jules Massenet, Michel Plasson, Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records