- BPM
- 133
- Key
- G Minor
- Camelot
- 6A
Notes To The Future by Katia Labèque Song Details
"Notes To The Future" by Katia Labèque had its release date on October 27, 2009. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Shape Of My Heart". In this album, this song's track order is #7. Based on our statistics, Notes To The Future's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
BPM and Tempo
With Notes To The Future by Katia Labèque having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -13.376 dB
- Acousticness
- 99%
- Danceability
- 41%
- Energy
- 12%
- Instrumentalness
- 92%
- Liveness
- 21%
- Loudness
- 78%
- Speechiness
- 6%
- Valence
- 7%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Années de pèlerinage: 1e année: Suisse, S.160: 2. Au lac de Wallenstadt | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 65 BPM | |
 | 24 Preludes, Op. 11: No. 15 in D-Flat Major | Alexander Scriabin, Evgeny Zarafiants | D♭ Major | 0 | 3B | 70 BPM | |
 | Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | B♭ Major | 0 | 6B | 72 BPM | |
 | Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major | Johannes Brahms, Moura Lympany | A♭ Major | 1 | 4B | 102 BPM | |
 | The Seasons, Op. 37a: VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Bruce Liu | G Minor | 0 | 6A | 76 BPM | |
 | Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | |
 | Abendlied, Op. 85, No. 12 | Robert Schumann, Katia Labèque, Marielle Labèque | A Major | 3 | 11B | 85 BPM | |
 | Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | |
 | New Amsterdam | Katia Labèque, David Chalmin, Massimo Pupillo, Raphaël Seguinier | C Minor | 3 | 5A | 125 BPM | |
 | 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | E Major | 1 | 12B | 87 BPM | |
 | Country Gardens (Handkerchief Dance) - Arr. for Piano Duet: Country Gardens (Handkerchief Dance) | Percy Grainger, Katia Labèque, Marielle Labèque | E♭ Major | 3 | 5B | 84 BPM | |
 | Adoration (Arr. Gray for Violin & Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | |
 | Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | |
![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] by Franz Liszt, Oxana Yablonskaya](https://i.scdn.co/image/ab67616d00001e02ad5b99f72cedc8dad7872982) | Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 70 BPM | |
 | Adagio in F, H.XVII No. 9 | Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Intermezzo in B-Flat Minor, Op. 117/2 | Johannes Brahms, Khatia Buniatishvili | D♭ Major | 0 | 3B | 67 BPM | |
 | Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | |
 | Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | |
 | Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | |
 | Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | |
 | Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | |
 | Limu, limu, lima (Arr. Schindler for Piano) | Traditional, Lang Lang | E Minor | 0 | 9A | 78 BPM | |
 | Les enfants terribles - Arr. for Piano duet by Michael Riesman: 4. She Slapped Me | Philip Glass, Katia & Marielle Labèque | F Major | 4 | 7B | 88 BPM | |
 | The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | |
 | Concerto for 2 Pianos and Orchestra in D minor: 2. Larghetto | Francis Poulenc, Katia Labèque, Marielle Labèque, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records