"Vanity" by Sarah Vaughan had its release date on March 11, 1997. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 11 in After Hours by Sarah Vaughan. In terms of popularity, Vanity is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Vanity by Sarah Vaughan is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Came On Stealthy Fingers | Irene Kral | C Major | 0 | 8B | 87 BPM | ||
| If I Knew Then (What I Know Now) | Sarah Vaughan | C Minor | 2 | 5A | 173 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| You're Mine, You | Sarah Vaughan | E♭ Major | 2 | 5B | 90 BPM | ||
| I'll Be Around - 1958 version | The Mills Brothers, Harry Mills, Herbert Mills, Donald Mills, John Mills Jr | C Major | 1 | 8B | 67 BPM | ||
| My Funny Valentine - Rudy Van Gelder Remaster 2007 | Miles Davis Quintet | C Minor | 1 | 5A | 70 BPM | ||
| I Like You, You're Nice | Irene Kral | A♭ Minor | 0 | 1A | 172 BPM | ||
| Goodnight Sweetheart | Sarah Vaughan | G Major | 0 | 9B | 75 BPM | ||
| It's a Quiet Thing | Morgana King | A Major | 1 | 11B | 81 BPM | ||
| You Don't Know What Love Is | Dakota Staton | B Minor | 1 | 10A | 117 BPM | ||
| Softly, as in a Morning Sunrise | Cyrille Aimee, Michael Valeanu | G Minor | 1 | 6A | 82 BPM | ||
| I'm Hip | Veronica Swift | F Minor | 5 | 4A | 106 BPM | ||
| Our Love Is Here To Stay | Dinah Washington | C Major | 1 | 8B | 171 BPM | ||
| I Concentrate On You | Fred Astaire | C Major | 0 | 8B | 104 BPM | ||
| Social Call | Benny Benack III, Veronica Swift | D♭ Major | 4 | 3B | 142 BPM | ||
| Woman's Got Soul | Joe Williams | D♭ Major | 4 | 3B | 129 BPM | ||
| Lover, Come Back To Me | Mildred Bailey | E Minor | 1 | 9A | 78 BPM | ||
| Sweet Sublime | Molly Johnson | G Major | 2 | 9B | 172 BPM | ||
| Five Feet Tall | Lady Blackbird | B♭ Major | 1 | 6B | 82 BPM | ||
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| It's Magic | Dinah Washington | E♭ Major | 3 | 5B | 177 BPM | ||
| I Thought About You (feat. Hank Mobley, Wynton Kelly, Paul Chambers & Jimmy Cobb) - Mono Version | Miles Davis, Hank Mobley, Wynton Kelly, Paul Chambers, Jimmy Cobb | F Major | 1 | 7B | 115 BPM | ||
| No More Blues | Roberta Gambarini | B♭ Major | 1 | 6B | 140 BPM | ||
| Taking A Chance On Love | Anita O'Day, Oscar Peterson Quartet | F Major | 2 | 7B | 139 BPM | ||
| My One And Only Love | Lorez Alexandria | F Minor | 0 | 4A | 93 BPM |