Strauss, R: An Alpine Symphony, Op. 64: XVIII. Quiet Before the Storm by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden Song Details

"Strauss, R: An Alpine Symphony, Op. 64: XVIII. Quiet Before the Storm" by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden had its release date on January 1, 2013. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Strauss, R: An Alpine Symphony, Op. 64: XVIII. Quiet Before the Storm's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 103 in the song's album "Strauss: Complete Orchestral Works". In this album, this song's track order is #37. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: An Alpine Symphony, Op. 64: XVIII. Quiet Before the Storm is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: An Alpine Symphony, Op. 64: XVIII. Quiet Before the Storm by Richard Strauss, Rudolf Kempe, Staatskapelle Dresden having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -22.654 dB
Acousticness: 80%
Danceability: 10%
Energy: 6%
Instrumentalness: 19%
Liveness: 38%
Loudness: 62%
Speechiness: 4%
Valence: 4%

Recommendations

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Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Dir, der Unberührbaren	Gustav Mahler, Barbara Kubiak, Polish Radio Choir, Warsaw Philharmonic Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit	A♭ Major	2	4B	85 BPM
Oberon, J.306: Ouvertüre	Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelík	D Major	1	10B	131 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
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Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester	C Major	1	8B	96 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM
Panis Angelicus (Arr. Leopold Stokowski)	César Franck, Matthias Bamert, BBC Philharmonic	A Major	1	11B	65 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai	Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	74 BPM
Elektra: Xiii. Orest! Orest ist tod!	Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler	E♭ Major	3	5B	81 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Symphony No. 3 in A Minor, MWV N 18 "Scottish" (London Version, 1842): II. Scherzo. Vivace non troppo	Felix Mendelssohn, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko	E Minor	2	9A	66 BPM
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: I. Waltz	Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons	E♭ Major	0	5B	81 BPM
4 Impromptus, Op.90, D.899: No.3 in G Flat Major: Andante	Franz Schubert, Radu Lupu	F♯ Major	0	2B	173 BPM
Prelude in C Sharp Minor, Op. 3, No. 2 (Arr. Orchestra) - Live	Sergei Rachmaninoff, Czech Philharmonic, Leopold Stokowski	E♭ Major	4	5B	124 BPM
The Music Makers, Op. 69: II. We Are the music makers	Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright	B♭ Minor	0	3A	79 BPM
Schoenberg: Verklärte Nacht, Op. 4: III. A tempo	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	B♭ Minor	1	3A	86 BPM
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: IV. Auftritt und Tanz der Schneider	Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson, José-Luis Garcia	E Minor	2	9A	66 BPM
Symphony No. 1 in F Minor, Op. 10: III. Lento	Dmitri Shostakovich, Michael Sanderling, Dresdner Philharmonie	D♭ Major	0	3B	80 BPM
Le rouet d'Omphale, Op. 31: Le Rouet d'Omphale	Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser	D Major	0	10B	121 BPM
Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction	Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest	D Major	1	10B	99 BPM
Romeo and Juliet, Op. 64: Introduction	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	E Major	1	12B	112 BPM
Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto	Max Bruch, George Hanson, Sinfonieorchester Wuppertal	E♭ Major	0	5B	87 BPM