"Come On and Go (Arr. C. Martin for Wind Ensemble)" by Anonymous, Florida State University Marching Chiefs, Patrick Dunnigan had its release date on November 2, 2018. With This song being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 2017 Florida State University Marching Chiefs, so we believe that "Come On and Go (Arr. C. Martin for Wind Ensemble)" is a single. In terms of popularity, Come On and Go (Arr. C. Martin for Wind Ensemble) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Come On and Go (Arr. C. Martin for Wind Ensemble) by Anonymous, Florida State University Marching Chiefs, Patrick Dunnigan is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Harmonia Novissimae Serenitatis | Cherubika | B Minor | 0 | 10A | 71 BPM | ||
| Benedictus sis tu | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Miriam Andersén, Kelly Landerkin, Marília Vargas | C Minor | 0 | 5A | 75 BPM | ||
| O Jesu Christe | Jakob van Berchem, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | E♭ Major | 2 | 5B | 84 BPM | ||
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Pray for Peace | Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 81 BPM | ||
| Cantus Vespertinus Novus | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | C Major | 0 | 8B | 132 BPM | ||
| Organum Rorate coeli | The Monks of Clear Creek | E Major | 1 | 12B | 127 BPM | ||
| Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
| Dilexisti iustitiam: Graduel - Graduel de Paris | Anonymous, Brigitte Lesne, Discantus | B Minor | 0 | 10A | 74 BPM | ||
| In I Vesperis: Hymne. Immensa et una trinitas | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Adoramus te Christe | Théodore Dubois, Chorale franco-allemande de Paris, Bernard Lallement, Georges Bessonnet, Thierry Pentsch, Li-Chin Huang | C Major | 0 | 8B | 127 BPM | ||
| Orthodox Meditations from Mount Athos | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F Major | 1 | 7B | 99 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Resonemus hoc natali | Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier | F♯ Minor | 1 | 11A | 187 BPM | ||
| The Service of the Furnace: VI. Kalophonic Sticheron. When the Tyrant Saw | Angelos Gregoriou, Cappella Romana, Alexander Lingas, John Michael Boyer, Stelios Kontakiotis | F Major | 2 | 7B | 64 BPM | ||
| Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
| Stabat Mater - Sequentia in Festo Septem Dolorum B.M.V. | Anonymous, Benedictine Monks of the Abbey of St. Maurice & St. Maur, Clevaux | G Major | 1 | 9B | 137 BPM | ||
| Messa sesta pro defunctis: II. Te decet hymnus - Kyrie | Ignatio Donati, Gruppo madrigalistico del Conservatorio di Como, Schola cantorum del Conservatorio di Como, Antonio Eros Negri, Coro Polifonico del Conservatorio di Como | F Major | 3 | 7B | 81 BPM | ||
| Missa de angelis: I. Kyrie eléison | Ensemble Venance Fortunat, Anne-Marie Deschamps | F Major | 0 | 7B | 105 BPM | ||
| La Messe: Alleluia "Assumpta est Maria" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E♭ Major | 1 | 5B | 130 BPM | ||
| Orthodox Studying Meditation Sleep Templar Chant 432Hz | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F Major | 2 | 7B | 137 BPM | ||
| Sederunt principes | Ars Veritas | A♭ Minor | 4 | 1A | 111 BPM | ||
| Christe Redemptor omnium - Hymnus ad Vesperas tempore Nativitatis Domini | Anonymous, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | D♭ Minor | 0 | 12A | 81 BPM | ||
| Congaudeant catholici - Códice Calixtino | Anonymous, Coro De Monjes Del Monasterio De Silos | B♭ Minor | 9 | 3A | 110 BPM | ||
| Pater Noster (Fernando Moruja) | Sexteto Cantábile | A♭ Minor | 1 | 1A | 138 BPM |