"Valse Sentimentale Op. 51: No. 6" by Duo Arnicans had its release date on September 27, 2024. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 20 in Dream by Duo Arnicans. Valse Sentimentale Op. 51: No. 6 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Valse Sentimentale Op. 51: No. 6 by Duo Arnicans is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. For Cello & Piano) | Gabriel Fauré, Matt Haimovitz, Mari Kodama | F Minor | 0 | 4A | 91 BPM | ||
| Fantaisie sur des motifs de l'opéra "Guillaume Tell" de Rossini (Arr. for 3 Cellos): I. Moderato | Alexandre Batta, Gioachino Rossini, Sol Gabetta, Victor Julien-Laferrière, Luca Magariello | D Major | 5 | 10B | 76 BPM | ||
| Woman's Prayer | G. I. Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM | ||
| Valse de rien | Christian Schittenhelm, Peter Jablonski | G Major | 2 | 9B | 77 BPM | ||
| 8 Klavierstücke, Op. 76: VII. Intermezzo (Moderato semplice) | Johannes Brahms, Axel Gillison | F♯ Minor | 0 | 11A | 68 BPM | ||
| Stillness | Orit Wolf | B Minor | 1 | 10A | 73 BPM | ||
| Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | ||
| Little Suite: II. Waltz in A Minor | Balys Dvarionas, Vadim Chaimovich | A Minor | 0 | 8A | 169 BPM | ||
| Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Kenji Miura | B Minor | 1 | 10A | 73 BPM | ||
| 24 Dainas: Daina No. 11, Tranquillo | Janis Medins, Arta Arnicane | G Major | 1 | 9B | 86 BPM | ||
| Gymnopédie No. 1 | Erik Satie, Sophie Raynaud | E Minor | 0 | 9A | 96 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 5, Op. 62: Lied ohne Worte No. 25 in G Major, Op. 62, No. 1 [arr. For violin and piano] | Felix Mendelssohn, Axel Strauss, Cord Garben | G Major | 1 | 9B | 93 BPM | ||
| 6 Lieder, Op. 1: No. 1, Schwanenlied (Arr. Lidström for Cello & Piano) | Fanny Mendelssohn, Mats Lidström, Leif Kaner-Lidström | D Minor | 0 | 7A | 71 BPM | ||
| Notturno No. 3: Dreams of Love | Duo Arnicans | G Major | 1 | 9B | 86 BPM | ||
| Les chemins de l'amour, FP 106 (Arr. for Oboe and Piano by Serol Yapici) | Francis Poulenc, Serol Yapici, Tudor Cioceanu | G Major | 1 | 9B | 86 BPM | ||
| アンダンテ (ピアノ・ソナタ K.381より) | Wolfgang Amadeus Mozart, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | G Major | 1 | 9B | 123 BPM | ||
| Liebesfreud - Arr. for Cello and Piano by Duo Arnicans | Fritz Kreisler, Duo Arnicans | G Major | 1 | 9B | 86 BPM | ||
| Salut d'Amour, Op. 12 | Edward Elgar, Pablo Ferrandez, Julien Quentin | D Major | 1 | 10B | 88 BPM | ||
| Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | ||
| Violin Concerto No. 2, Op. 89a: VII. Hymn | Alan Hovhaness, Zina Schiff, Salzburg Chamber Soloists, Avlana Eisenberg | F Major | 0 | 7B | 136 BPM | ||
| Melody - From "The High Pass" | Fulvia Mancini, Jonathan Floril | A Minor | 2 | 8A | 165 BPM | ||
| 6 Deutsche Lieder, Op. 14 (Arr. for Double Bass and Piano by Lorraine Campet): No. 1, O sehntest du dich so nach mir | Josephine Lang, Lorraine Campet, Nathanaël Gouin | D Major | 0 | 10B | 90 BPM | ||
| Zdes' khorosho, Op. 21, No. 7 | Sergei Rachmaninoff, Yo-Yo Ma, Kathryn Stott | A Major | 0 | 11B | 88 BPM | ||
| Chanson de matin, Op. 15 No. 2 | Edward Elgar, Geneviève Laurenceau, Jean-Frédéric Neuburger | G Major | 1 | 9B | 86 BPM | ||
| Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM |