George Dyson, Simon Callaghan's '12 Easy Pieces: No. 6, Lullaby' had a release date set for October 16, 2020. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 57 in Dyson: Complete Music for Piano by George Dyson, Simon Callaghan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 12 Easy Pieces: No. 6, Lullaby is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 12 Easy Pieces: No. 6, Lullaby by George Dyson, Simon Callaghan is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): I. Berceuse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 70 BPM | ||
| Concerto in E-Flat Major, Op. 1: II. Adagio | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | A♭ Major | 0 | 4B | 120 BPM | ||
| Variations on a Norwegian Folktune, Op. 31: I fjol gjaett'e gjeitinn | Johan Svendsen, Latvian National Symphony Orchestra, Terje Mikkelsen | E Major | 1 | 12B | 87 BPM | ||
| Way Out West (Arr. For Oboe) | Diana Doherty | E Major | 1 | 12B | 63 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: III. Der Fechmeister | Richard Strauss, Jeffrey Tate, English Chamber Orchestra, Clifford Benson | B♭ Major | 2 | 6B | 146 BPM | ||
| Quo Vadis: II. Rise, O my soul (Contralto, Semi-chorus) | George Dyson, Richard Hickox, BBC National Orchestra Of Wales, Jean Rigby, Royal Welsh College of Music and Drama Chamber Choir | D Minor | 0 | 7A | 83 BPM | ||
| The Canterbury Pilgrims: X. The Doctor of Physic | George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks | A♭ Major | 1 | 4B | 93 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
| Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto (1915 Version) | Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen | G Major | 0 | 9B | 131 BPM | ||
| Miške, MKČ 101: II. Exposition, Bridge Passage | Mikalojus Konstantinas Čiurlionis, Orchestre Philharmonique de Radio France, Mirga Gražinytė-Tyla | A Minor | 0 | 8A | 85 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| 14 Romances, Op. 34: No. 14, Vocalise (Arr. for Cello & Piano by Meredith Blecha-Wells & Sun Min Kim) | Sergei Rachmaninoff, Meredith Blecha-Wells, Sun Min Kim | E Major | 1 | 12B | 123 BPM | ||
| Thaïs: Méditation (Arr. A. de la Vega for Flute & Piano) | Jules Massenet, Ana de la Vega, Paul Rivinius | D Major | 1 | 10B | 88 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | B♭ Major | 2 | 6B | 146 BPM | ||
| A Moorside Suite: II. Nocturne (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 57 BPM | ||
| Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | G Minor | 1 | 6A | 79 BPM | ||
| Das Orgelbüchlein, BWV 599-644: Orgelbuchlein: Nun komm, der Heiden Heiland, BWV 599 (Arr. L. Stokowski) | Johann Sebastian Bach, Bournemouth Symphony Orchestra, José Serebrier | C Minor | 1 | 5A | 73 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Magnificat & Nunc Dimittis: I. Magnificat | George Dyson, Choir of the Church of the Incarnation, Dallas, Texas, Kevin M. Clarke, Anthony Pinel | D Major | 2 | 10B | 88 BPM | ||
| Two Lyric pieces Op. 68: I. Evening in the Mountains: Andantino | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marten Larsson | D Minor | 2 | 7A | 140 BPM | ||
| Bizet: Carmen Suite No. 1: III. Intermezzo | Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | F Major | 1 | 7B | 83 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): IV. Kitty Valse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | D Minor | 0 | 7A | 70 BPM | ||
| Tema con Variaciones para Orquesta, Op. 2: I. Tema Andante | Julián Carrillo, Orquesta Sinfónica de San Luis Potosí, José Miramontes Zapata | D Major | 1 | 10B | 102 BPM |