Georgy Sviridov, Дуэт арф "Шарм"'s 'Вальс к повести А.Пушкина «Метель»' had a release date set for June 24, 2014. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Русская музыка 18 - 21вв, so we believe that "Вальс к повести А.Пушкина «Метель»" is a single. In terms of popularity, Вальс к повести А.Пушкина «Метель» is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Вальс к повести А.Пушкина «Метель» by Georgy Sviridov, Дуэт арф "Шарм" is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | ||
| Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
| The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
| 3 Sacred Hymns: 2. Lord Jesus | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | A♭ Major | 3 | 4B | 107 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
| Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
| Sarabande and Courante from Auf meinen lieben Gott, BuxWV 179 (Arr. Leopold Stokowski) | Dietrich Buxtehude, Matthias Bamert, BBC Philharmonic, Cynthia Millar | E Major | 2 | 12B | 118 BPM | ||
| Melody (From "The High Pass") | Myroslav Skoryk, Odessa Philharmonic Orchestra, Hobart Earle | A Minor | 0 | 8A | 78 BPM | ||
| Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | D♭ Major | 2 | 3B | 79 BPM | ||
| 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | ||
| Piano Concerto No. 1 in C Minor, Op 33: I. Allegro | Nikolai Medtner, Geoffrey Tozer, Neeme Järvi, London Philharmonic Orchestra | G Major | 2 | 9B | 79 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Vespers, Op. 37: Now let Thy Servant Depart | Sergei Rachmaninoff, Mykhaylo Tyshchenko, Yuri Korinnyk, National Choir Of The Ukraine "Dumka", Yevhen Savchuk, Olga Borusene | B Minor | 1 | 10A | 136 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| 6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | G Minor | 2 | 6A | 65 BPM | ||
| The King of Glory | Georgy Sviridov, Roman Podlubnyak, Credo Chamber Choir, Bogdan Plish | F Minor | 9 | 4A | 137 BPM | ||
| Dorfszene (Nr.2 aus "Kaukasische Skizzen") | L. Weninger, Mikhail Ippolitov-Ivanov, Salonorchester Colln | F♯ Minor | 1 | 11A | 77 BPM | ||
| Tango jalousie | Jacob Gade, Sakari Oramo, Wiener Philharmoniker | D Major | 1 | 10B | 72 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Karadec Suite, Op. 34: II. Chanson | Vincent d'Indy, Malmö Symphony Orchestra, Darrell Ang | E♭ Major | 0 | 5B | 71 BPM | ||
| Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
| Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
| Petite messe solennelle: Kyrie. Kyrie eleison (1863 chamber Version) | Gioachino Rossini, Mireille Capelle, Catherine Patriasz, Joseph Cornwell, Jelle Draijer, Leo Van Doeselaar, Jos Van Immerseel, Wyneke Jordans, Netherlands Chamber Choir | C Major | 0 | 8B | 129 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| 3 Film Scores for String Orchestra: No. 3, Face of Another: Waltz | Toru Takemitsu, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 1 | 4B | 168 BPM |