Tsuyoshi Nagabuchi's '交差点' had a release date set for October 25, 1996. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Tsuyoshi Nagabuchi's "LIVE COMPLETE '95-'96" album is number 7 out of 20. Based on our statistics, 交差点's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 交差点 by Tsuyoshi Nagabuchi to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seventh Code wo Tengoku ni Kure | Tunnels | B♭ Major | 4 | 6B | 82 BPM | ||
| 僕らは死んでゆくのだけれど | Naotaro Moriyama | C Major | 3 | 8B | 71 BPM | ||
| 伝言 | Eigo Kawashima | F Major | 5 | 7B | 144 BPM | ||
| 恋不思議 | Kaientai | B Minor | 4 | 10A | 116 BPM | ||
| たったひとつの愛を | Keizo Nakanishi | F♯ Minor | 6 | 11A | 130 BPM | ||
| LONELY★WILD - ORCHESTRAL VERSION | HOTEI | F Major | 5 | 7B | 139 BPM | ||
| WE ARE TRAVELLIN' BAND | Senri Oe | G Major | 8 | 9B | 118 BPM | ||
| 流れもの | Tsuyoshi Nagabuchi | A Major | 6 | 11B | 131 BPM | ||
| 秋桜<コスモス> | Masashi Sada | C Minor | 3 | 5A | 134 BPM | ||
| 夢で逢えたら | Kiyomi Suzuki, 黒沢 薫 | D♭ Major | 6 | 3B | 111 BPM | ||
| 世界中の誰よりきっと(Pure White Live '94) | 中山美穂 | D Major | 9 | 10B | 120 BPM | ||
| サヨナラから始めよう ~Acoustic Version~ | T-BOLAN | G Major | 9 | 9B | 107 BPM | ||
| 男は明日はくためだけの靴を磨く | Kaze | D Minor | 5 | 7A | 126 BPM | ||
| 青春の影 | Tulip | G Major | 6 | 9B | 133 BPM | ||
| RELAX - アコースティックver. | THE JAYWALK | A Major | 7 | 11B | 110 BPM | ||
| 涙の影 | Sharam Q | D Major | 7 | 10B | 94 BPM | ||
| 愛してるのに | Tsuyoshi Nagabuchi | B Major | 3 | 1B | 144 BPM | ||
| 二度目のWedding bell~セカンド・プロポーズ~ | Billy Ban Ban | G Major | 3 | 9B | 172 BPM | ||
| 12色のクレパス | Tsuyoshi Nagabuchi | D Major | 6 | 10B | 144 BPM | ||
| 10 YEARS AFTER - 2012 Remaster | Masahiro Kuwana | D Major | 9 | 10B | 96 BPM | ||
| ろまんちすと | Eigo Kawashima | B♭ Minor | 3 | 3A | 190 BPM | ||
| ロード~第二章 | THE TRABRYU | D Major | 5 | 10B | 110 BPM | ||
| 翼あるもの | Kai Band | E Minor | 7 | 9A | 82 BPM | ||
| いつまでも夏になれば | Kosetsu Minami | E Major | 8 | 12B | 182 BPM | ||
| 竹とんぼ | Takao Horiuchi | C Major | 3 | 8B | 48 BPM |