"Marche Arrière" by Christophe Filippi had its release date on May 1, 2018. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Marche Arrière's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Current State". In this album, this song's track order is #5. Based on our statistics, Marche Arrière's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Marche Arrière by Christophe Filippi having a BPM of 158 with a half-time of 79 BPM and a double-time of 316 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parallelo | Anna Caragnano, Donato Dozzy | D♭ Major | 1 | 3B | 80 BPM | ||
| Rattengift | Soap&Skin | E♭ Minor | 3 | 2A | 106 BPM | ||
| Corruption | Christophe Filippi | F Minor | 6 | 4A | 108 BPM | ||
| Release Swings | Fat Coda Studios | A♭ Major | 8 | 4B | 177 BPM | ||
| Tapwan | Hofesh Shechter | G Major | 1 | 9B | 65 BPM | ||
| Confounded | Power-Haus | E Minor | 5 | 9A | 127 BPM | ||
| Lilith's Spell | The White Witch Parlour | C Minor | 2 | 5A | 100 BPM | ||
| Six Breaths: II Breath, Out of Breath | Ezio Bosso, The London Cellos Ensemble | G Major | 2 | 9B | 103 BPM | ||
| 3 166 | Michael Wall | F♯ Minor | 6 | 11A | 111 BPM | ||
| Architect of the Mind | Kerry Muzzey | E Minor | 6 | 9A | 90 BPM | ||
| Contact | Christophe Filippi | F Minor | 9 | 4A | 114 BPM | ||
| Eights 110 | London Dance Collective | D Major | 5 | 10B | 110 BPM | ||
| Vacu Um (Remastered) | Nils Frahm | C Minor | 4 | 5A | 126 BPM | ||
| Le poids de l'intime | Simon Leoza | D♭ Minor | 1 | 12A | 149 BPM | ||
| Over (Feat ORI) | Icare Sandilas, ORI | D Minor | 4 | 7A | 100 BPM | ||
| City of Birth | Armand Amar | D Minor | 4 | 7A | 98 BPM | ||
| Manipulation | Avi Belleli | D♭ Major | 3 | 3B | 174 BPM | ||
| Prodigy | Nathan Lanier | D♭ Major | 3 | 3B | 75 BPM | ||
| Flat Backs In 3 | William Catanzaro, Victor Y. See Yuen | D♭ Major | 9 | 3B | 112 BPM | ||
| Subsurface Current | Christophe Zurfluh | C Major | 4 | 8B | 179 BPM | ||
| Tendu | Divan Gattamorta | B Minor | 8 | 10A | 120 BPM | ||
| Disruption | Thylacine | F♯ Major | 5 | 2B | 110 BPM | ||
| A Rising Dream | Laurent Dury | A♭ Major | 2 | 4B | 120 BPM | ||
| ATI Two (Windows) | Davidson Jaconello | E Major | 6 | 12B | 131 BPM | ||
| Speaking in Tongues II | Sheila Chandra | A Major | 6 | 11B | 97 BPM |