John Vanderslice's ' "Interlude #1" was released on its scheduled release date, June 11, 2013. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Interlude #1's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 13 in Dagger Beach by John Vanderslice. In terms of popularity, Interlude #1 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Interlude #1 by John Vanderslice is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Satori in Denver | The Mountain Goats, John Vanderslice | A Major | 2 | 11B | 140 BPM | ||
| Only Existing Footage | The Extra Lens | D Major | 7 | 10B | 116 BPM | ||
| All Fires | Swan Lake | F♯ Major | 8 | 2B | 143 BPM | ||
| You Must Build a Fire | Crooked Fingers | A Major | 7 | 11B | 116 BPM | ||
| Hot Girls - 2025 Remaster | Headphones | G Major | 6 | 9B | 122 BPM | ||
| Bobby Malone Moves Home | Casiotone For The Painfully Alone | C Major | 7 | 8B | 86 BPM | ||
| F-ked Up Kid | Kevin Drew | D Major | 8 | 10B | 135 BPM | ||
| Chemicals Collide | Cloud Cult | D Major | 5 | 10B | 144 BPM | ||
| Letter in Icelandic from the Ninette San | John K. Samson | D Major | 2 | 10B | 122 BPM | ||
| I'm Sorry I Sang on Your Hands That Must Have Been in the Grave | Sunset Rubdown, Spencer Krug | C Minor | 5 | 5A | 122 BPM | ||
| Interlude 1 | John Vanderslice | C Major | 0 | 8B | 81 BPM | ||
| Not Going Home | The Elected | B♭ Major | 8 | 6B | 88 BPM | ||
| When the Open Road Is Closing In | The Magnetic Fields | G Major | 5 | 9B | 131 BPM | ||
| Bottles and Bones (Shades and Sympathy) | Califone | E Major | 3 | 12B | 97 BPM | ||
| Blackout Curtain | Now It's Overhead | C Major | 7 | 8B | 170 BPM | ||
| Letter to the East Coast | John Vanderslice | E Major | 2 | 12B | 139 BPM | ||
| Red Right Ankle | The Decemberists | G Major | 2 | 9B | 93 BPM | ||
| So Come Back, I Am Waiting | Okkervil River | A Minor | 3 | 8A | 81 BPM | ||
| Swans (Life After Death) | Islands | G Major | 7 | 9B | 149 BPM | ||
| A Nervous Tic Motion of the Head to the Left | Andrew Bird | D Minor | 5 | 7A | 133 BPM | ||
| Priests and Paramedics | Pedro The Lion | D Major | 6 | 10B | 100 BPM | ||
| Futuro Que Ven | Zhai Penglin | G Minor | 9 | 6A | 141 BPM | ||
| Summon Satan | Advance Base | G Major | 4 | 9B | 93 BPM | ||
| Pink and Brown - 2025 Remaster | Headphones | D Major | 7 | 10B | 120 BPM | ||
| Might of the Moose | Advance Base | F Major | 7 | 7B | 129 BPM |