"Selbourne Wood" by Adrian Johnston had its release date on March 5, 2007. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Selbourne Wood's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 23 in Becoming Jane by Original Soundtrack. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Selbourne Wood is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Selbourne Wood by Adrian Johnston is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Theme from Mansfield Park | James Shearman, Nick Ingman | D Major | 2 | 10B | 156 BPM | ||
| A Little Chaos | Peter Gregson | E♭ Major | 2 | 5B | 138 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| The Lost Cities | Johannes Bornlöf | E Major | 2 | 12B | 73 BPM | ||
| The TCBS | Thomas Newman | D Minor | 2 | 7A | 144 BPM | ||
| The Miracle | Maurizio Malagnini | A Major | 2 | 11B | 142 BPM | ||
| Forgotten Overture - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 135 BPM | ||
| Daisy, Daisy | Jóhann Jóhannsson | A Minor | 1 | 8A | 118 BPM | ||
| Brideshead Revisited: No. 1, Sebastian | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Sonata For Violin and Violoncello: Vif, avec entrain | Maurice Ravel, Nash Ensemble, Christopher van Kampen, Marcia Crayford | C Major | 2 | 8B | 152 BPM | ||
| Morning On Boston Common | Randy Edelman | E♭ Major | 4 | 5B | 80 BPM | ||
| Boldwood Variation | Craig Armstrong | A Minor | 2 | 8A | 59 BPM | ||
| Mathilda | Sharon Farber | D Minor | 2 | 7A | 81 BPM | ||
| Homer Returns to the Orphanage - Instrumental | Rachel Portman, John Lenehan, David Snell | G Major | 1 | 9B | 82 BPM | ||
| Troy Swims Out | Craig Armstrong | C Major | 1 | 8B | 76 BPM | ||
| The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
| Letter from Jo - Instrumental | Thomas Newman | F Major | 0 | 7B | 98 BPM | ||
| An Ideal Marriage | The Chamber Orchestra Of London | G Minor | 2 | 6A | 107 BPM | ||
| I Missed You | James Shearman, Nick Ingman | E♭ Major | 1 | 5B | 78 BPM | ||
| Pride and Prejudice Opening Titles (From the 1995 BBC Adaptation) - Piano Arrangement | The Belle Society Players | B♭ Major | 1 | 6B | 114 BPM | ||
| Michael Turner's Waltz | Traditional, Eliza Carthy Band | G Major | 1 | 9B | 115 BPM | ||
| Brideshead Revisited: No. 13, Carnival | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | A♭ Major | 1 | 4B | 85 BPM | ||
| Ghost Bode | Torin Borrowdale | G Major | 1 | 9B | 88 BPM | ||
| Preparation | The Chamber Orchestra Of London | A Minor | 3 | 8A | 80 BPM | ||
| Kashmiri Song | Hope/Woodforde-Finden, John Fiddy, Sonoton Film Orchestra, Marcia Crayford | C Major | 2 | 8B | 112 BPM |