"Mongolian Winds" by Terry Riley had its release date on January 1, 1992. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "The Padova Concert". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Italy. Based on our statistics, Mongolian Winds's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mongolian Winds by Terry Riley having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fear in a Handful of Dust | Madadkin | D Minor | 3 | 7A | 117 BPM | ||
| Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | ||
| La Ciudad Nos Mintió | dj Rosali | E♭ Major | 0 | 5B | 51 BPM | ||
| Everybody was so young II | Sophia Jani, Kontai Ensemble | A♭ Major | 1 | 4B | 69 BPM | ||
| Scene 6 | Michael Galasso | B♭ Major | 2 | 6B | 144 BPM | ||
| Wassermann | Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati | A♭ Major | 2 | 4B | 66 BPM | ||
| Sound Patterns | Pauline Oliveros, Brandeis University Chamber Chorus, Alvin Lucier | F Major | 3 | 7B | 172 BPM | ||
| Piano & Violoncello 27 | Irena And Vojtech Havlovi | E♭ Major | 1 | 5B | 138 BPM | ||
| Holding Horses | Colleen | A Minor | 3 | 8A | 148 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Wind On Water | Robert Fripp, Brian Eno | B Major | 0 | 1B | 58 BPM | ||
| In C 2 | Terry Riley, Maya Beiser | D Minor | 5 | 7A | 120 BPM | ||
| No. 1, Prime | Julius Eastman, Wild Up, Christopher Rountree | F Minor | 0 | 4A | 76 BPM | ||
| Mantra Of The Touching Of The Heart | Popol Vuh, Ulrich Kraus | A Major | 2 | 11B | 82 BPM | ||
| Spirit of Peace: Part II. | Florian Fricke, Terry Riley | B Minor | 0 | 10A | 73 BPM | ||
| The House | Hania Rani | E♭ Major | 0 | 5B | 51 BPM | ||
| In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello | Georg Friedrich Haas, Ensemble Recherche | G Minor | 0 | 6A | 127 BPM | ||
| Jimmy V | Mary Lattimore | F Minor | 1 | 4A | 79 BPM | ||
| Re Bo No | Simon Zöchbauer, Federspiel | E♭ Major | 0 | 5B | 51 BPM | ||
| Mountain of Air | Ellen Arkbro | G Minor | 1 | 6A | 69 BPM | ||
| In C: Part 01 | Terry Riley, Blindman Kwartet, Ictus | C Major | 2 | 8B | 129 BPM | ||
| Rohtko Chapel 1 | Morton Feldman | D♭ Major | 0 | 3B | 74 BPM | ||
| Travellers 4 / Churchyard Entertainment | Meredith Monk | A Minor | 2 | 8A | 141 BPM | ||
| Elegy of the Veiled Horizons | Arjun Tara | B♭ Major | 0 | 6B | 76 BPM | ||
| Maria Mater Dei | Marina Frescobaldi | B♭ Major | 2 | 6B | 120 BPM |