Girolamo Frescobaldi, Konrad Ragossnig's ' "Frescobaldi: Toccate e partite d'intavolatura, Libro II: Corrente prima (Arr. for Guitar)" was released on its scheduled release date, January 1, 1972. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 19 in Baroque by Konrad Ragossnig. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Frescobaldi: Toccate e partite d'intavolatura, Libro II: Corrente prima (Arr. for Guitar)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Frescobaldi: Toccate e partite d'intavolatura, Libro II: Corrente prima (Arr. for Guitar) by Girolamo Frescobaldi, Konrad Ragossnig is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Dioclesian, Z. 627 "The Prophetess": Chaconne "Two in One upon a Ground" | Henry Purcell, Chelys Consort of Viols | D♭ Minor | 1 | 12A | 62 BPM | ||
| Viola da Gamba Suite in D Major: X. Minuetto | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 142 BPM | ||
| VI. Presto | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Stabat Mater pour dix voix et basse continue: III. Quis non posset | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Minor | 1 | 11A | 74 BPM | ||
| 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
| Canzona settima a basso solo "detta la superba" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 145 BPM | ||
| Sonata da camera in G Minor, "O Haupt voll Blut und Wunden": I. Largo | Johann Gottlieb Janitsch, Il Gardellino | F♯ Minor | 2 | 11A | 171 BPM | ||
| Viola da Gamba Suite in D Major: VI. Adagio | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 1 | 3B | 94 BPM | ||
| Suite de piece No. 1 in E Minor, Op. 11: I. Prelude. Lentement | Joseph Bodin de Boismortier, Mindy Rosenfeld, Ronn McFarlane | E♭ Minor | 0 | 2A | 81 BPM | ||
| Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Composizioni per Organo e Cembalo: Intonazione cromatica del nono tono | Tarquinio Merula, Bernard Foccroulle | F♯ Major | 1 | 2B | 54 BPM | ||
| Ouverture in G Major: II. Gavotte en rondeau | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 2 | 7B | 75 BPM | ||
| Stabat Mater pour dix voix et basse continue: IV. Eja mater, fons amoris | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
| Fantasias and In Nomines: Fantazia IX in 4 parts, Z. 740 | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 104 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Prélude du Sieur Dubuisson | Nicolas Hotman, Lucile Boulanger | D♭ Major | 0 | 3B | 78 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Bibliothèque municipale de Tournus: Prélude in D Minor, Page 2 | Monsieur de Sainte-Colombe, Friederike Heumann | B♭ Minor | 0 | 3A | 97 BPM | ||
| 3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
| Sonata Da Chiesa No. 3 in C Major, Op. 5: I. Adagio | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | B Major | 2 | 1B | 91 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM | ||
| 5e livre de viole: Chaconne | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | D Major | 0 | 10B | 98 BPM | ||
| Sonata in C Major (Weiss) - Andante | Edward Martin and Paul Berget | B Major | 1 | 1B | 86 BPM |