衛藤利恵's '心を風にあずけて' had a release date set for April 25, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 10 in Be there. by 衛藤利恵. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, 心を風にあずけて is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of 心を風にあずけて by 衛藤利恵 is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love Can Smooth The Way | 衛藤利恵 | C Major | 4 | 8B | 102 BPM | ||
| White Communication -新しい絆- | Mariko Nagai | E♭ Major | 9 | 5B | 132 BPM | ||
| solitude | Favorite Blue | D Major | 7 | 10B | 83 BPM | ||
| 涙とたたかってる | DREAMS COME TRUE | D♭ Major | 6 | 3B | 97 BPM | ||
| 時の舟 (Album version) | Takako Matsu | B Major | 5 | 1B | 170 BPM | ||
| Born To Skip | Misato Watanabe | E♭ Major | 9 | 5B | 142 BPM | ||
| たったひとつの愛を | Keizo Nakanishi | F♯ Minor | 6 | 11A | 130 BPM | ||
| Opportunist | 衛藤利恵 | C Major | 4 | 8B | 102 BPM | ||
| あなたに天使が見える時 | Noriko Sakai | C Major | 6 | 8B | 108 BPM | ||
| さよならより永遠の中で | Favorite Blue | D Minor | 8 | 7A | 120 BPM | ||
| Crescent Moonshine | Eri Hiramatsu | E♭ Major | 5 | 5B | 134 BPM | ||
| 君だけを見ていた | To Be Continued | G Minor | 9 | 6A | 113 BPM | ||
| 朧 | Yukino Ichikawa | E♭ Minor | 8 | 2A | 84 BPM | ||
| Sunday Noon ~I feel like~ | 衛藤利恵 | G Major | 2 | 9B | 110 BPM | ||
| ごめんね。(album mix) | Takako Matsu | D Major | 7 | 10B | 117 BPM | ||
| 最後の約束 -See you again- | AMBIENCE | B Minor | 7 | 10A | 166 BPM | ||
| 始まりの詩、あなたへ | Misato Watanabe | G Major | 6 | 9B | 140 BPM | ||
| Chaos | Angela Aki | D♭ Major | 8 | 3B | 102 BPM | ||
| 真夏のイヴ | Mariko Nagai | F Major | 9 | 7B | 147 BPM | ||
| 終章(エピローグ)~追想の主題 - 「PRIDE」バージョン | CHAGE and ASKA | A Major | 2 | 11B | 119 BPM | ||
| SEVEN YEARS AFTER 2012mix | PRINCESS PRINCESS | C Major | 9 | 8B | 143 BPM | ||
| 未完のアンドロイド | Toshinori Yonekura | A♭ Major | 5 | 4B | 94 BPM | ||
| ESCAPE | DREAMS COME TRUE | G Minor | 9 | 6A | 130 BPM | ||
| 孤独なハリケーン | Minako Honda | C Major | 8 | 8B | 120 BPM | ||
| 私だけの私 | 衛藤利恵 | C Major | 4 | 8B | 129 BPM |