"Solidão" by Amália Rodrigues had its release date on 1973. The duration of This song is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Solidão's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 12 in Encontro com Don Byas by Amália Rodrigues. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. In terms of popularity, Solidão is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Solidão by Amália Rodrigues is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Balada para uma boneca de capelista | Carla Pires | A Major | 1 | 11B | 161 BPM | ||
| Fado Monte | Custódio Castelo | G Major | 3 | 9B | 120 BPM | ||
| Até Ao Verão | Ana Moura | C Major | 3 | 8B | 114 BPM | ||
| Meus lindos olhos | Mafalda Arnauth | G Minor | 1 | 6A | 102 BPM | ||
| Era de noite e levaram | António Mourão | D Minor | 2 | 7A | 111 BPM | ||
| Provérbio ao Contrário | Jonas | D Major | 10 | 10B | 110 BPM | ||
| Lisboa Não Sejas Francesa | Amália Rodrigues | A♭ Minor | 2 | 1A | 133 BPM | ||
| Amor Ladrão | Cuca Roseta | F Major | 6 | 7B | 80 BPM | ||
| Ceifeira | Grupo Coral de Cantares Regionais de Portel | F Major | 4 | 7B | 105 BPM | ||
| Sou A Casa | Sara Correia | A Minor | 5 | 8A | 118 BPM | ||
| Meu Bergantim | Teresa Tarouca | D♭ Major | 2 | 3B | 173 BPM | ||
| Gaivota | Amália Rodrigues | C Minor | 3 | 5A | 105 BPM | ||
| Nem Às Paredes Confesso | Francisco José | E Major | 5 | 12B | 105 BPM | ||
| Lembro-me de ti | Alfredo Marceneiro | F♯ Major | 5 | 2B | 99 BPM | ||
| John Português | Tony De Matos | C Major | 6 | 8B | 105 BPM | ||
| Fado Adivinha II | Mísia | E Major | 3 | 12B | 135 BPM | ||
| Um Hino À Vida | António Rocha | G Major | 3 | 9B | 91 BPM | ||
| Segredos | Katia Guerreiro | E Major | 2 | 12B | 135 BPM | ||
| O fado mora em Lisboa | Tony De Matos | E♭ Major | 6 | 5B | 98 BPM | ||
| Pintadinho | Maria Teresa De Noronha | A Major | 2 | 11B | 141 BPM | ||
| Marcha Da Mouraria | Amália Rodrigues | F♯ Major | 2 | 2B | 143 BPM | ||
| Que Deus me perdoe | Mariza | C Minor | 3 | 5A | 112 BPM | ||
| Canção De Lisboa | Fernando Farinha | F Major | 4 | 7B | 112 BPM | ||
| Lisboa Mora Aqui | Pedro Moutinho | A Major | 4 | 11B | 102 BPM | ||
| Cavalo Ruço | Nuno da Camara Pereira | E Major | 6 | 12B | 118 BPM |