"Gawain, Act I (1994 Revised Version): Prophesies & Threats. Now That You've Seen Its Face [Live]" by Harrison Birtwistle, Marie Angel, Anne Howells, Orchestra Of The Royal Opera House, Richard Greager, Elgar Howarth had its release date on August 5, 2014. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 20 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act I (1994 Revised Version): Prophesies & Threats. Now That You've Seen Its Face [Live] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gawain, Act I (1994 Revised Version): Prophesies & Threats. Now That You've Seen Its Face [Live] by Harrison Birtwistle, Marie Angel, Anne Howells, Orchestra Of The Royal Opera House, Richard Greager, Elgar Howarth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Revue Music | Sofia Gubaidulina, Basel Sinfonietta, Titus Engel, NDR Bigband | D♭ Major | 3 | 3B | 71 BPM | ||
| Lyric Suite: II. Andante amoroso | Alban Berg, Leonkoro Quartet | B Minor | 2 | 10A | 69 BPM | ||
| The Mask of Orpheus, Act I Scene I: First Act of Love - First Duet of Love | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | A Minor | 4 | 8A | 131 BPM | ||
| 7 Haikus: IV. Con moto assai. Giocoso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | ||
| Gawain, Act I (1994 Revised Version): Gawain Decapitates the Green Knight. God's Name! [Live] | Harrison Birtwistle, John Tomlinson, Penelope Walmsley-Clark, Orchestra Of The Royal Opera House, Kevin Smith, Richard Greager, John Marsden, Omar Ebrahim, Alan Ewing, Marie Angel, Anne Howells, Elgar Howarth | A♭ Minor | 4 | 1A | 127 BPM | ||
| Akhnaten, Act III Scene 1: The Family | Philip Glass, Metropolitan Opera Orchestra and Chorus, Karen Kamensek, Anthony Roth Costanzo, J'nai Bridges, Lindsay Ohse, Karen Chia-Ling Ho, Chrystal E. Williams, Annie Rosen, Olivia Vote, Suzanne Hendrix, Metropolitan Opera Orchestra | C Major | 1 | 8B | 79 BPM | ||
| Turangalîla-Symphonie: II. Chant d'amour 1 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Variations for Orchestra, Op. 31: Variation I. Moderato | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| Symphony No. 3: I. Introduzione (Andante con moto) — Allegro con moto | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | B Minor | 2 | 10A | 69 BPM | ||
| Concerto for 2 Pianos and Orchestra: III. Fuga chromatica - Allegro | Ralph Vaughan Williams, Tal & Groethuysen, Douglas Boyd | D Minor | 3 | 7A | 77 BPM | ||
| Donnacha Dennehy: Land of Winter: III. February | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | G Major | 1 | 9B | 128 BPM | ||
| Montage: II. Larghetto espressivo | James Lentini, Harvey Thurmer, Pansy Chang, Siok Lian Tan | D♭ Minor | 2 | 12A | 113 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (1) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
| Four Walls Act 1 Scene II | John Cage, Margaret Leng Tan, Joan La Barbara | B Major | 9 | 1B | 134 BPM | ||
| Bartók: For Children, Sz. 42, Book IV "Slovakian Folk Songs": No. 76, The Hidden Horse. Poco allegretto | Béla Bartók, Dezsö Ranki | G Minor | 0 | 6A | 70 BPM | ||
| Messiaen: Des canyons aux étoiles...: XII. Zion Park et la cité céleste | Olivier Messiaen, Marius Constant, Alain Jacquet, Ensemble Ars Nova, François Dupin, Georges Barboteu, Yvonne Loriod | A Major | 1 | 11B | 78 BPM | ||
| Berceuse de Jeanne | Harrison Birtwistle, Nicolas Hodges, Claire Edwardes | B Minor | 2 | 10A | 69 BPM | ||
| Aubade, Op. 63: I. Lento | Lars-Erik Larsson, Marion Walker, Sara Övinge, Anders Rensvik, Kari Ravnan | C Major | 0 | 8B | 170 BPM | ||
| Mythes, Trois Poèmes, Op.30: 1. La fontaine d'Arethuse | Karol Szymanowski, Kaja Danczowska, Krystian Zimerman | A♭ Minor | 0 | 1A | 74 BPM | ||
| Symphony No. 1 in E Major, Op. 26: IV. Vivace | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Weary Soul | Orithia | D Major | 6 | 10B | 98 BPM | ||
| The Dreams and Prayers of Isaac the Blind: Prelude: Calmo, Sospeso | Osvaldo Golijov, Kronos Quartet | F♯ Minor | 0 | 11A | 88 BPM | ||
| the little match girl passion: from the sixth hour | David Lang, Theatre Of Voices, Paul Hillier | G Minor | 1 | 6A | 127 BPM | ||
| Void Pulse | Astrid Voix | B Minor | 2 | 10A | 69 BPM |