Jean-Henri d'Anglebert, Christophe Rousset's ' "Pièces de Clavecin in D minor: 8. Gaillarde" was released on its scheduled release date, August 21, 2000. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Pièces de Clavecin in D minor: 8. Gaillarde's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 65 in D'Anglebert: Pièces de Clavecin by Jean-Henri d'Anglebert, Christophe Rousset. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Pièces de Clavecin in D minor: 8. Gaillarde is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Pièces de Clavecin in D minor: 8. Gaillarde by Jean-Henri d'Anglebert, Christophe Rousset is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture in G Minor: IV. Rondeau | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | A♭ Major | 2 | 4B | 131 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Des Pièces de Claveçin, Livre premier: Prélude en Ré Mineur | Anglebert, Jean-Henri d'Anglebert, Andreas Staier | C Minor | 0 | 5A | 67 BPM | ||
| Anglebert: Pièces de clavecin: Suite No. 4 en ré majeur: VIII. Tombeau de Mr. de Chambonnières. Fort lentement | Jean-Henri d'Anglebert, Jean Rondeau | C Major | 3 | 8B | 82 BPM | ||
| Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
| Mystery Sonata No. 11 "The Resurrection": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | F♯ Major | 0 | 2B | 113 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | ||
| Viola da Gamba Suite in D Major: VII. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | F♯ Minor | 0 | 11A | 113 BPM | ||
| Suite in G Major: IX. Gaillarde | Jean-Henri d'Anglebert, Céline Frisch | C Minor | 0 | 5A | 67 BPM | ||
| Courante - Double | Jacques Champion de Chambonnières, Jean-Henri d'Anglebert, Louise Acabo | C Major | 3 | 8B | 147 BPM | ||
| Trio Sonata in C Major, BuxWV 256: V. Adagio - Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
| Concerto Grosso No. 1 in C Minor, Op. 2: I. Andante | Francesco Geminiani, L'Archicembalo | B Minor | 1 | 10A | 39 BPM | ||
| Atys, LWV 53, Act III Scene 4: Prélude | Jean-Baptiste Lully, Leonardo García-Alarcón, Cappella Mediterranea | B♭ Major | 4 | 6B | 177 BPM | ||
| Messa Della Domenica: Tocata Cromaticha Per la levatione | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
| Suite in G Major: I. Prélude | Jean-Henri d'Anglebert, Céline Frisch | F♯ Major | 2 | 2B | 112 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | ||
| De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte | Robert de Visée, Jean Rondeau | D♭ Major | 2 | 3B | 75 BPM | ||
| Concerto Armonico No. 5 in F Minor: A tempo comodo (con sordini) | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | G Major | 0 | 9B | 75 BPM | ||
| Concert Royal No. 4 in E minor: 4. Courante a l'italienne (Gayement. Pointé-coulé) | François Couperin, Irena Grafenauer, Brigitte Engelhard, Philharmonisches Duo Berlin | D Major | 4 | 10B | 109 BPM | ||
| Concerto for Flute and Oboe in B Minor, FaWV L:H1: III. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | F Major | 1 | 7B | 74 BPM | ||
| Concerto in E minor for oboe, strings and basso continuo: I. Andante | Han De Vries, Bob van Asperen, Alma Musica Amsterdam | E♭ Minor | 1 | 2A | 106 BPM | ||
| Pièces de Clavecin in G major: 15. Menuet "Dans nos Bois" | Jean-Henri d'Anglebert, Christophe Rousset | F Minor | 3 | 4A | 99 BPM | ||
| Quatrième suite in A Minor: No. 1, Prélude | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Minor | 1 | 1A | 86 BPM | ||
| Concerto Grosso in G Minor after Corelli, Op. 5, No. 5: II. Vivace | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Minor | 2 | 11A | 115 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM |