"Calços da Maia" by Romeu Bairos had its release date on February 28, 2025. With this song being around four minutes long, at 4:21, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Romê das Fürnas". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Spain. Based on our statistics, Calços da Maia's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Calços da Maia by Romeu Bairos having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Esta Depressão Que Me Anima | A Naifa | B♭ Minor | 8 | 3A | 116 BPM | ||
| Vira Feliz | Cordel | G Minor | 3 | 6A | 115 BPM | ||
| 2000 A.D. | Samuel Úria | G Major | 8 | 9B | 123 BPM | ||
| Casamento - ao vivo | Jorge Cruz | B Minor | 4 | 10A | 130 BPM | ||
| Ser moderno | Irmãos Catita | D Major | 8 | 10B | 145 BPM | ||
| Ultraviolento | Iguanas | E Major | 7 | 12B | 152 BPM | ||
| Mapa | Churky | G Major | 6 | 9B | 150 BPM | ||
| Nada - ao vivo | Jorge Cruz | B Minor | 4 | 10A | 130 BPM | ||
| Se Fores ao Alentejo | Luís Fialho | D♭ Minor | 7 | 12A | 100 BPM | ||
| Morangos | Capital da Bulgária | E Major | 5 | 12B | 137 BPM | ||
| Adeus que me vou embora | Humanos | E Major | 4 | 12B | 128 BPM | ||
| Sempre ausente | António Variações | E Major | 6 | 12B | 105 BPM | ||
| Uma Nova Maneira de Encarar O Mundo | Tozé Brito (de) novo, Miguel Guedes, Rita Redshoes | D Major | 7 | 10B | 120 BPM | ||
| Inquietação | JP Simões | A Minor | 5 | 8A | 78 BPM | ||
| O Comboio Dos Atrasos | Sebastião Antunes & Quadrilha, Virgul, Luis Peixoto | D Major | 6 | 10B | 140 BPM | ||
| Kuchisabishii | Samuel Úria, Margarida Campelo | B♭ Major | 5 | 6B | 95 BPM | ||
| Homem Bomba | Miguel Marôco | B♭ Minor | 7 | 3A | 114 BPM | ||
| Tempestade | Márcia | F♯ Minor | 3 | 11A | 96 BPM | ||
| Tu És A Que Eu Quero - Tu Não Prendas O Cabelo | José Pinhal | B Minor | 5 | 10A | 139 BPM | ||
| Culpa | Rapaz Ego | B Minor | 4 | 10A | 130 BPM | ||
| O quarto da Aïda | First Breath After Coma, Salvador Sobral | F♯ Major | 7 | 2B | 146 BPM | ||
| Marcha da Paridade | Bia Maria | F♯ Minor | 7 | 11A | 120 BPM | ||
| Pedra e cal | Samuel Úria, Os 12 ao todo | D Minor | 8 | 7A | 98 BPM | ||
| Transumante | Jorge Cruz | G Major | 1 | 9B | 120 BPM | ||
| Todos Levamos no Cu | Uma Nêspera no Cu | G Major | 3 | 9B | 117 BPM |