On October 10, 2007, the song "CRISIS CORE Theme - True Motives" was released by 石元 丈晴. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. CRISIS CORE Theme - True Motives's duration is considered a little bit shorter than the average duration of a typical track. The song is number 29 out of 54 in CRISIS CORE -FINAL FANTASY VII- Original Soundtrack by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, CRISIS CORE Theme - True Motives's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of CRISIS CORE Theme - True Motives by 石元 丈晴 is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Final Fantasy I-VI: Battle Medley | Arnie Roth, Distant Worlds Philharmonic Orchestra | G Minor | 7 | 6A | 74 BPM | ||
| Lacrimosa of Dana -Opening Ver.- | Falcom Sound Team jdk | E Minor | 4 | 9A | 80 BPM | ||
| Twilight Green Road | Falcom Sound Team jdk | E Minor | 5 | 9A | 166 BPM | ||
| Iclucian Dance | Falcom Sound Team jdk | A Minor | 9 | 8A | 145 BPM | ||
| Fear of the Heavens | Hiroki Kikuta | F Major | 3 | 7B | 65 BPM | ||
| H'aanit, the Hunter | Yasunori Nishiki | E♭ Major | 1 | 5B | 90 BPM | ||
| Alien Manifestation - Arranged by Yutaka Oyama・Junichi Saito・Yusuke Shima・Jose Colon | 帆足圭吾, 岡部 啓一 | A Major | 5 | 11B | 144 BPM | ||
| Final Fantasy VII Advent Children: Cloud Smiles | Arnie Roth, Distant Worlds Philharmonic Orchestra | G Major | 2 | 9B | 72 BPM | ||
| 成歩堂龍ノ介 ~異議あり! | Capcom Sound Team | C Minor | 5 | 5A | 126 BPM | ||
| Piano: Tomorrow and Tomorrow - Instrumental | Keiko | A Major | 1 | 11B | 73 BPM | ||
| Burgeoning Life | 石元丈晴 | F♯ Minor | 9 | 11A | 140 BPM | ||
| Home Sweet Home - Theme of EPISODE PROMPTO | Naoshi Mizuta | A♭ Minor | 3 | 1A | 140 BPM | ||
| Horrors of War: Beyond Fear | CODE VEIN サウンドチーム, Bandai Namco Game Music | A♭ Minor | 7 | 1A | 90 BPM | ||
| Throné, the Thief | Yasunori Nishiki | D Major | 7 | 10B | 180 BPM | ||
| A Contest of Aeons - FFX, FFRK Ver.arrange | 仲野順也 | D♭ Major | 8 | 3B | 96 BPM | ||
| March Through Harsh Terrain (from LAST ORDER FFVII) | 石元 丈晴 | G Major | 6 | 9B | 75 BPM | ||
| FFVII REMAKE: Main Theme of FFVII - Sector 7 Undercity | 植松 伸夫 | A Major | 2 | 11B | 148 BPM | ||
| Break the Limit! | Junpei Fujita | A Minor | 9 | 8A | 94 BPM | ||
| Battle: The Warrior | Naoshi Mizuta | D Minor | 2 | 7A | 88 BPM | ||
| Enemy Attack | 仲野順也 | G Minor | 8 | 6A | 153 BPM | ||
| The Final Day (Final Fantasy XIV) | Arnie Roth, Distant Worlds Philharmonic Orchestra | D Major | 2 | 10B | 129 BPM | ||
| Howling Abominations | Takeharu Ishimoto | A Minor | 9 | 8A | 160 BPM | ||
| Somnus - Instrumental Version | Yoko Shimomura | C Minor | 4 | 5A | 77 BPM | ||
| Somnus Ultima | Yoko Shimomura | F Minor | 5 | 4A | 146 BPM | ||
| Mystic Ruins | Noriyasu Agematsu | B Minor | 2 | 10A | 82 BPM |