"Last Man Standing in Chicago - ROHS Remix" by DTST, ROHS had its release date on December 10, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in DTST's "Last Man Standing in Chicago" album is number 2 out of 9. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Last Man Standing in Chicago - ROHS Remix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Last Man Standing in Chicago - ROHS Remix by DTST, ROHS to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deadbug | Dubfire | G Major | 9 | 9B | 137 BPM | ||
| Access | Amelie Lens | B Minor | 5 | 10A | 95 BPM | ||
| Volley | someguy | G Major | 7 | 9B | 136 BPM | ||
| Subculture | Klint | G Major | 8 | 9B | 143 BPM | ||
| I Am Against | Woo York | G Major | 7 | 9B | 130 BPM | ||
| End & Beginning - Foch 155 at the End of the Day Remix | Aide, Foch 155 | F♯ Minor | 4 | 11A | 125 BPM | ||
| Acid Affair Pt. 2 | Regal, Alien Rain | B♭ Minor | 8 | 3A | 131 BPM | ||
| Tzeentch | Troy | D♭ Major | 8 | 3B | 140 BPM | ||
| No Rush | MATRiXXMAN, Bauernfeind | G Minor | 8 | 6A | 130 BPM | ||
| Motion | Border One | B Major | 7 | 1B | 141 BPM | ||
| Chasmic | Troy | G Major | 7 | 9B | 136 BPM | ||
| Running | Daniel Avery | E Major | 10 | 12B | 130 BPM | ||
| Virtual Hideouts | Funk Assault | B Minor | 6 | 10A | 140 BPM | ||
| Worm | Yan Cook | E Minor | 9 | 9A | 138 BPM | ||
| Shaders | Blenk | F♯ Minor | 9 | 11A | 140 BPM | ||
| Graviton Field | Lewis Fautzi, The Advent | F♯ Minor | 10 | 11A | 138 BPM | ||
| axis_0_ㅇ | HYPNOSIS THERAPY | G Major | 7 | 9B | 136 BPM | ||
| Rock The Body | Lnt Mike, Monsieur Rock | D Major | 10 | 10B | 127 BPM | ||
| 190205 | Rene Wise, Rødhåd | D♭ Major | 9 | 3B | 140 BPM | ||
| ASMA | ETERIS | B Major | 9 | 1B | 130 BPM | ||
| Lone Wolf in Detroit | DTST | G Major | 5 | 9B | 126 BPM | ||
| Burden Of Proof | Ø [Phase] | C Major | 8 | 8B | 131 BPM | ||
| Asteroid | Troma, PERS1 | C Major | 9 | 8B | 130 BPM | ||
| Insane Kick - Radio Edit | Paranoic Sound | D♭ Major | 8 | 3B | 131 BPM | ||
| Otherness (Album Edit) | AES Dana | F Minor | 6 | 4A | 128 BPM |