"Sanctus - Phos, Patris Karitatis: Trope de Sanctus - Codex" by Anonymous, Brigitte Lesne, Discantus had its release date on September 16, 2003. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anonymous, Brigitte Lesne, Discantus's "Hortus Deliciarum (Chants Grégoriens Du XIIe S.)" album is number 13 out of 21. On top of that, France appears to be the country where this track was created. Sanctus - Phos, Patris Karitatis: Trope de Sanctus - Codex is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sanctus - Phos, Patris Karitatis: Trope de Sanctus - Codex by Anonymous, Brigitte Lesne, Discantus to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hail Our Saviour's Glorious Body | The Schola Cantorum of St. Peter the Apostle | C Minor | 0 | 5A | 142 BPM | ||
| Magnificat | John Dunstable, Choeur des Moniales de Pecs | C Major | 1 | 8B | 65 BPM | ||
| Responsorium: O beata trinitas | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Resonemus hoc natali | Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier | F♯ Minor | 1 | 11A | 187 BPM | ||
| Del Kyriale: Kyrie del Tono II | Pro Musica Gregoriana, Susana Imbern | A Major | 1 | 11B | 81 BPM | ||
| The Journeymans Pillar | Tallis Chamber Choir, Edinburgh Renaissance Band, The | E♭ Major | 1 | 5B | 88 BPM | ||
| CondÍtor Alme SÍderum | Anonymous, Choeur des frères dominicains de la province de France | F♯ Minor | 0 | 11A | 139 BPM | ||
| Canticle "Magnificat anima mea - O rubor sanguinis" | Anonymous, Anonymous 4 | A♭ Major | 0 | 4B | 84 BPM | ||
| Gaudete in Domino semper | Chœur des moniales Bénédictines de l'abbaye Notre-Dame d'Argentan, Denise Lebon | G Minor | 4 | 6A | 138 BPM | ||
| 432Hz Benedictine Peaceful Relaxing Gregorian Calm | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | D♭ Major | 1 | 3B | 73 BPM | ||
| Exultate Deo (Alessandro Scarlatti) | Sexteto Cantábile | B Major | 2 | 1B | 76 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Crux Fidélis: Hymne på Langfredag | St. Hallvard-Guttene, Øistein Vogt | F♯ Minor | 0 | 11A | 108 BPM | ||
| Sidus Mirabile | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Traditional, Anonymous, Choeur des moines de l'abbaye Notre Dame de Fontgombault | A Minor | 0 | 8A | 140 BPM | ||
| William Byrd - Gloria | Quire of Voyces | F Minor | 3 | 4A | 84 BPM | ||
| Kyrie XI, A (Modo I) | Unknown, Coro De Monjes Del Monasterio De Silos | D Major | 1 | 10B | 76 BPM | ||
| Graduale: Christus Factus Est, Modo V | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B Minor | 0 | 10A | 131 BPM | ||
| Domine praevenisti | Chorał gregoriański, Schola Cantorum Misericordis Christi, Piotr Arseniuk, Piotr Karwowski | D Minor | 1 | 7A | 74 BPM | ||
| Hymnus: Jesu, Nostra Redemptio, Modo IV | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B Minor | 0 | 10A | 71 BPM | ||
| Messa sesta pro defunctis: II. Te decet hymnus - Kyrie | Ignatio Donati, Gruppo madrigalistico del Conservatorio di Como, Schola cantorum del Conservatorio di Como, Antonio Eros Negri, Coro Polifonico del Conservatorio di Como | F Major | 3 | 7B | 81 BPM | ||
| Sequentia: Veni, Sancte Spiritus, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A♭ Minor | 3 | 1A | 83 BPM | ||
| Antienne "Salve Regina" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | E Major | 0 | 12B | 107 BPM | ||
| Salva - Nos Com O Teu Cantico - Nunc Dimittis, Bençao Noctem Quietam | Cantos Gregorianos | A Minor | 0 | 8A | 73 BPM | ||
| Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM | ||
| Chanterai por mon corage | Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David Munrow | A Minor | 0 | 8A | 124 BPM |