Bombay S. Jayashree's 'Sri Parthasarathi' had a release date set for November 15, 2021. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 4 in Dikshitar Krithis - Bombay S. Jayashree by Bombay S. Jayashree. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Sri Parthasarathi is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sri Parthasarathi by Bombay S. Jayashree is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Neene Parama Pavani | Roopa Shree H S | A♭ Major | 3 | 4B | 163 BPM | ||
| Sarasasamadhana | N. Ramani | E♭ Major | 6 | 5B | 137 BPM | ||
| Brihaspate | Bombay Jayashri, Muthuswami Dikshitar | C Minor | 2 | 5A | 151 BPM | ||
| Koovi Azhaithal | Bombay S. Jayashree | E♭ Major | 4 | 5B | 172 BPM | ||
| Varuvai Varuvai | Veeramani Kannan | B Major | 6 | 1B | 100 BPM | ||
| Soorya Bhagavan | Bombay Saradha | B Major | 4 | 1B | 91 BPM | ||
| Jagajjanani | Visalakshi Nityanand | E♭ Minor | 6 | 2A | 169 BPM | ||
| Uyyala Luguma | Bombay S. Jayashree | E♭ Major | 4 | 5B | 172 BPM | ||
| Tunbam Nergaiyil Desh (Live) | Sanjay Subrahmanyan | G Major | 3 | 9B | 144 BPM | ||
| Raga Abhogi | Veena Sahasrabuddhe | A Minor | 7 | 8A | 123 BPM | ||
| Bantureethi - Violin | Kunnakudi Vaidyanathan | B Major | 7 | 1B | 107 BPM | ||
| Thirupathi Malai Mele | Bombay S. Jayashree | A♭ Major | 8 | 4B | 183 BPM | ||
| Nambide Ninnapadava | Roopa Shree H S | A♭ Major | 3 | 4B | 165 BPM | ||
| Ulaga Pasu Paasa Sontham | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Nilambari - Nilambari - Adi | Lalgudi G. Jayaraman | A♭ Major | 7 | 4B | 143 BPM | ||
| Velava | Natakurunji Varnam | Ramana Balachandhran | Ramana Balachandhran | F Major | 4 | 7B | 78 BPM | ||
| Mahaganapathim - Maharajapuram Santhanam | Maharajapuram Santhanam | C Minor | 5 | 5A | 148 BPM | ||
| Parama Purusham | Bombay S. Jayashree | B♭ Major | 1 | 6B | 178 BPM | ||
| Alara Chanchalalaina | Shanmuga Priya, Haripriya | A♭ Major | 5 | 4B | 141 BPM | ||
| Senganavan Paal | V2S2, RAGAMALIKATV | A♭ Major | 3 | 4B | 99 BPM | ||
| Gowrinandana Gajavadana | Roopa Shree H S | A♭ Major | 3 | 4B | 77 BPM | ||
| Iravu Pagal | Magantharen Balakisten | G Major | 4 | 9B | 128 BPM | ||
| Alaipayuthey - Maharajapuram Santhanam | Maharajapuram Santhanam | G Major | 5 | 9B | 154 BPM | ||
| Paluke Bangaramayena | Parupalli Sri Ranganath | D Minor | 5 | 7A | 117 BPM | ||
| Gajavadhana - Violin | Kunnakudi Vaidyanathan | F♯ Minor | 4 | 11A | 191 BPM |