"Abyss" by John Carpenter had its release date on February 3, 2015. This song is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The track order of this song in John Carpenter's "Lost Themes" album is number 6 out of 15. On top of that, United States appears to be the country where this track was created. In terms of popularity, Abyss is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abyss by John Carpenter to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Disappearance | Occams Laser | G Minor | 3 | 6A | 110 BPM | ||
| Hellraiser | Christopher Young | A♭ Major | 1 | 4B | 89 BPM | ||
| Innercity | Ceyran Huseynova, Feirn Mont | C Major | 1 | 8B | 79 BPM | ||
| Broadcast Attack | Harold Faltermeyer | A Major | 6 | 11B | 140 BPM | ||
| Elena's Sound-World | Sinoia Caves | G Major | 3 | 9B | 135 BPM | ||
| Mystery's Apotheosis | Fabio Frizzi | E Minor | 5 | 9A | 157 BPM | ||
| Collide | Kalax | C Major | 8 | 8B | 112 BPM | ||
| Main Title | John Carpenter, Alan Howarth | A Major | 4 | 11B | 158 BPM | ||
| Blade Runner | Symmetry | A♭ Major | 6 | 4B | 108 BPM | ||
| West of Arkham | Colin Stetson | D Major | 4 | 10B | 81 BPM | ||
| Profondo rosso | Giorgio Gaslini | A Major | 5 | 11B | 145 BPM | ||
| 1.0_5-pierreloti.au | Mac Quayle | G Major | 2 | 9B | 100 BPM | ||
| Omniverse | S U R V I V E | B♭ Minor | 7 | 3A | 182 BPM | ||
| The Harbour Heist | Lost Years | D Major | 9 | 10B | 100 BPM | ||
| Lake of Fire | Gost | D♭ Major | 9 | 3B | 111 BPM | ||
| Golden Taurus | Vercetti Technicolor | C Major | 9 | 8B | 172 BPM | ||
| Demon | Claudio Simonetti | B♭ Minor | 8 | 3A | 101 BPM | ||
| The Rise of Ma-Ma | Paul Leonard-Morgan | E Minor | 1 | 9A | 108 BPM | ||
| Whoever Did This | The Great Vorelli | C Major | 4 | 8B | 100 BPM | ||
| It Comes at Night | Raydar | D Major | 8 | 10B | 110 BPM | ||
| Lone Wolf's Theme | W. Michael Lewis, Mark Lindsay, Wonderland Philharmonic | A Minor | 6 | 8A | 106 BPM | ||
| Spirit | Orax | E Major | 9 | 12B | 120 BPM | ||
| Autonomization | Pye Corner Audio | D Major | 8 | 10B | 100 BPM | ||
| Inquiry | Disasterpeace | F Major | 3 | 7B | 112 BPM | ||
| Hammer | Cliff Martinez | D Major | 2 | 10B | 101 BPM |