On January 1, 2009, the song "Suite No. 2 in G Minor, R. 93-100: VII. Fantaisie, R. 99" was released by Gottlieb Muffat, Mitzi Meyerson. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Suite No. 2 in G Minor, R. 93-100: VII. Fantaisie, R. 99's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gottlieb Muffat, Mitzi Meyerson's "Muffat, G.: Componimenti Musicali Per Il Cembalo" album is number 15 out of 51. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Suite No. 2 in G Minor, R. 93-100: VII. Fantaisie, R. 99 is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite No. 2 in G Minor, R. 93-100: VII. Fantaisie, R. 99 by Gottlieb Muffat, Mitzi Meyerson to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto Rv 441: In Do Minore, Per Flauto, Archi E Basso Continuo - Untitled | Antonio Vivaldi, Barokkanerne, Alexandra Opsahl, Per Hannisdal | F♯ Major | 1 | 2B | 85 BPM | ||
| Sonata in G Minor, No. 5: II. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | F♯ Minor | 2 | 11A | 100 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | ||
| Concerto for Flute and Oboe in G Major, FWV L:G8: III. Allegro | Johann Friedrich Fasch, Gunther Holler, Helmut Hucke, Cappella Coloniensis, Hans-Martin Linde | E♭ Minor | 2 | 2A | 127 BPM | ||
| Mystery Sonata No. 10 "The Crucifixion": II. Aria - Variations | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B Major | 0 | 1B | 97 BPM | ||
| Suite in D Minor, MC B2: VI. Menuet | Gottlieb Muffat, Naoko Akutagawa | D♭ Minor | 2 | 12A | 121 BPM | ||
| Trio in E-Flat Major, TWV 42:Es1: I. Affetuoso | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | B Minor | 1 | 10A | 96 BPM | ||
| Couperin: Second Livre de pièces de clavecin, Huitième Ordre: IX. Passacaille | François Couperin, Olivier Baumont | E Minor | 2 | 9A | 84 BPM | ||
| Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra | F♯ Minor | 1 | 11A | 56 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
| Concerto grosso No. 1 in A Major: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 2 | 3B | 92 BPM | ||
| Sonata for violoncello and basso continuo in G Major, WKO 147: II. Adagio | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 1 | 2B | 174 BPM | ||
| Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Couperin, L: Suite en la: III. La Piémontoise, G. 102 | Louis Couperin, Jean Rondeau | G Minor | 4 | 6A | 87 BPM | ||
| Suite No. 2 in G Minor, R. 93-100: III. Courante, R. 95 | Gottlieb Muffat, Mitzi Meyerson | A♭ Major | 0 | 4B | 146 BPM | ||
| Scarlatti, D: Keyboard Sonata in G Major, Kk. 2 | Domenico Scarlatti, Scott Ross | F♯ Major | 5 | 2B | 102 BPM | ||
| Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: V. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 101 BPM | ||
| Pieces de clavecin: Suite in A Minor - major: VIII. Gavotte | Jean-Philippe Rameau, Gilbert Rowland | D Major | 2 | 10B | 97 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 8 in E flat minor, BWV 853 | Luc Beauséjour | G Minor | 2 | 6A | 89 BPM | ||
| Suite in D minor (Paris, 1699): Chaconne | Davitt Moroney | D♭ Minor | 5 | 12A | 98 BPM | ||
| Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
| Componimenti musicali per il cembalo, Suite I in C Major: VI. Menuet & Trio | Gottlieb Muffat, Alexandra Nepomnyashchaya | D♭ Major | 4 | 3B | 74 BPM | ||
| Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: III. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM |