John Walker's ' "Golden Dreams" was released on its scheduled release date, December 12, 2012. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in John Walker's "Golden Dreams" album is number 1 out of 10. In terms of popularity, Golden Dreams is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Golden Dreams by John Walker to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Trombone Concerto: III. Finale. Maestoso - Rondo (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B Major | 0 | 1B | 102 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): I. Moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | D Major | 1 | 10B | 95 BPM | ||
| Concerto pour trombone et orchestre: I. Moderato assai | Launy Grøndahl, Orchestre Symphonique Français, Laurent Petitgirard, Jacques Mauger | D♭ Major | 0 | 3B | 73 BPM | ||
| Rejoice, the Lord Is King | Malcolm Archer, Elizabeth Ann Keen, Choir of Shadyside Presbyterian Church, Pittsburgh, Pennsylvania, John Walker | A Major | 2 | 11B | 83 BPM | ||
| Haydn: Symphony No. 88 in G Major, Hob. I:88: II. Largo | Joseph Haydn, Berliner Philharmoniker, Sir Simon Rattle | D♭ Major | 1 | 3B | 125 BPM | ||
| Scaramouche, Op. 165c: III. Brazileira | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | F Major | 3 | 7B | 72 BPM | ||
| 4 Ragtime Dances: No. 4, — | Charles Ives, Orchestra New England, James Sinclair | B♭ Major | 4 | 6B | 93 BPM | ||
| How Firm a Foundation | Douglas P. Starr, Elizabeth Ann Keen, Choir of Shadyside Presbyterian Church, Pittsburgh, Pennsylvania, John Walker | G Major | 1 | 9B | 131 BPM | ||
| Dukas: Villanelle | Paul Dukas, Dennis Brain, Gerald Moore | C Major | 0 | 8B | 69 BPM | ||
| Trio for Oboe, Bassoon and Piano: 1. Presto | Francis Poulenc, Hansjorg Schellenberger, Milan Turkovic, James Levine | E Major | 1 | 12B | 96 BPM | ||
| Aria in Classic Style for Harp & Organ, Op. 19 | Marcel Grandjany, John Walker, Lynne Aspnes | D♭ Major | 0 | 3B | 147 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM | ||
| Billy the Kid: No. 5, Gun Battle | Aaron Copland, Colorado Symphony, Andrew Litton | D Major | 0 | 10B | 92 BPM | ||
| Sicilienne | Maria Theresia von Paradis, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 121 BPM | ||
| Sonate pour basson, Op. 168: I. Allegretto moderato | Camille Saint-Saëns, Marc Trenel, Pascal Godart | G Major | 1 | 9B | 67 BPM | ||
| Messiaen: Fête des belles eaux: VIII. Feux d'artifice final | Olivier Messiaen, Jeanne Loriod, Sextuor Jeanne Loriod | B Major | 2 | 1B | 172 BPM | ||
| Sinfonia: II. Transit | Zhou Tian, J. Eric Wilson, Baylor University Wind Ensemble | G Minor | 3 | 6A | 142 BPM | ||
| 24 Pièces de fantaisie, Suite No. 3, Op. 53: No. 5, Clair de lune | Louis Vierne, John Walker | B♭ Minor | 0 | 3A | 126 BPM | ||
| Scaramouche, Op. 165c: I. Vif | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | C Major | 2 | 8B | 127 BPM | ||
| Divertimento for Strings, Sz. 113: III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
| Etude No. 14 in D | Cyrille Rose, John Walker, Christopher Hill and John Walker | B Major | 1 | 1B | 76 BPM | ||
| Fantasia for Alto Saxophone | Claude T. Smith, Otis Murphy, Cobb Wind Symphony, Alfred L. Watkins | E♭ Major | 2 | 5B | 152 BPM | ||
| Shadow of Night | John Walker | A Major | 5 | 11B | 77 BPM | ||
| Maestro Variations | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | B♭ Major | 1 | 6B | 84 BPM |