Tab Benoit's ' "These Blues Are All Mine" was released on its scheduled release date, January 1, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "These Blues Are All Mine". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. The popularity of These Blues Are All Mine is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With These Blues Are All Mine by Tab Benoit having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I'd Rather Be Blind, Crippled and Crazy | Doyle Bramhall | E Minor | 6 | 9A | 178 BPM | ||
| When the Hurt Is Over | Mighty Sam McClain | A Minor | 1 | 8A | 143 BPM | ||
| Louisiana Style | Tab Benoit | B♭ Major | 5 | 6B | 96 BPM | ||
| Low Down Dirty Blues | Joe Louis Walker | A♭ Major | 7 | 4B | 121 BPM | ||
| Blues Power | Clarence "Gatemouth" Brown | F Major | 6 | 7B | 89 BPM | ||
| Just Like Putty | Jimmie Vaughan | C Major | 6 | 8B | 114 BPM | ||
| Nasty Habits | Tommy Castro | C Major | 6 | 8B | 109 BPM | ||
| She's Fine | A.C. Reed | A Major | 6 | 11B | 117 BPM | ||
| Guitar Man | Little Milton | F Minor | 7 | 4A | 171 BPM | ||
| Luther's Blues | Luther "Guitar Junior" Johnson | G Major | 5 | 9B | 100 BPM | ||
| We The People | Guitar Shorty | C Major | 9 | 8B | 178 BPM | ||
| Crazy Woman | Magic Slim & The Teardrops | D♭ Minor | 6 | 12A | 149 BPM | ||
| Tears Feel Like Rain | Marquise Knox, Eugene Johnson, Mike Battle, Wayne Sharp | F Major | 4 | 7B | 105 BPM | ||
| Walk A Mile In My Blues | Curtis Salgado | C Major | 9 | 8B | 100 BPM | ||
| Blues Of The Month Club | Joe Louis Walker | A♭ Major | 7 | 4B | 93 BPM | ||
| You Gonna Need My Help Someday | Twelve Bar Blues Band | A Minor | 5 | 8A | 181 BPM | ||
| When The Blues Catch Up With You | Buddaheads | G Major | 6 | 9B | 206 BPM | ||
| Sunday Sin | The EvenTunes | C Major | 2 | 8B | 103 BPM | ||
| Midnight And Lonesome | Tab Benoit, Louisiana's LeRoux | D Major | 2 | 10B | 114 BPM | ||
| Wrong Side of the Blues | Trampled Under Foot | E Minor | 6 | 9A | 178 BPM | ||
| She Can Smell Another Woman | Smokin' Joe Kubek & Bnois King | A♭ Major | 7 | 4B | 98 BPM | ||
| Howlin' For My Darlin' | Debbie Davies, Tab Benoit | A Major | 5 | 11B | 176 BPM | ||
| Telephone Song | The Vaughan Brothers | E♭ Minor | 8 | 2A | 118 BPM | ||
| Rolling With The Punches | Johnny Copeland | A♭ Major | 8 | 4B | 100 BPM | ||
| Right As Rain | Tommy Castro | G Minor | 9 | 6A | 126 BPM |