"Timor - Live" by Luís Represas had its release date on 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 21 in Ao Vivo No CCB by Luís Represas. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. Timor - Live is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Timor - Live by Luís Represas is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lisboa | Pólo Norte | G Major | 7 | 9B | 121 BPM | ||
| Fim | Trovante | B♭ Major | 3 | 6B | 128 BPM | ||
| Orgulho de Portugal (Grito Slb) | UHF | G Major | 3 | 9B | 169 BPM | ||
| Mãe (Que Saudade) | Quinta Do Bill | G Major | 5 | 9B | 75 BPM | ||
| Tento Saber (feat. Liliana Almeida) | Nuno Guerreiro, Liliana Almeida | G Major | 4 | 9B | 115 BPM | ||
| O anzol | Rádio Macau | A Major | 5 | 11B | 147 BPM | ||
| Aos meus amores | Rádio Macau | C Major | 3 | 8B | 73 BPM | ||
| Alentejanas e amorosas | Vitorino | E Major | 4 | 12B | 118 BPM | ||
| Foste Tu | João Portugal | E Major | 3 | 12B | 144 BPM | ||
| A Cigarra e a Formiga | Carlos Garcia, Luís Represas, Yami | A Minor | 6 | 8A | 80 BPM | ||
| Problema de expressão | Clã | B♭ Minor | 4 | 3A | 100 BPM | ||
| Esfera | Pedro Khima | E Major | 3 | 12B | 140 BPM | ||
| Desencontro | Luís Represas | G Major | 4 | 9B | 122 BPM | ||
| Força de Fera | Márcia | A Major | 3 | 11B | 144 BPM | ||
| Quando Nós Formos Velhinhos | Rogério Charraz | D Minor | 2 | 7A | 92 BPM | ||
| História linda | Carlos Paião | D Minor | 4 | 7A | 99 BPM | ||
| Timor | Trovante | E Major | 2 | 12B | 166 BPM | ||
| Com Que Voz | Camane, Mário Laginha | A Minor | 1 | 8A | 101 BPM | ||
| Dizer que não | Lúcia Moniz | G Major | 4 | 9B | 90 BPM | ||
| Por Uma Noite | Klepht | A♭ Major | 6 | 4B | 142 BPM | ||
| As Mondadeiras (with João Paulo Esteves da Silva & Jarrod Cagwin) | Ricardo Ribeiro, Jarrod Cagwin, João Paulo Esteves da Silva | C Major | 1 | 8B | 124 BPM | ||
| Areia de Pedras Salgadas | Alcoolémia | B Major | 5 | 1B | 140 BPM | ||
| Jesus no secundário | Cabecas No Ar | B Minor | 9 | 10A | 143 BPM | ||
| Peter's | Trovante | D Major | 3 | 10B | 135 BPM | ||
| O Céu Pode Esperar | Santos & Pecadores | B♭ Major | 6 | 6B | 140 BPM |