Bill Conti's 'Kata Training' had a release date set for 2020. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "The Karate Kid: Part III (Original Motion Picture Score)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Based on our statistics, Kata Training's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kata Training by Bill Conti having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're The Duckiest | John Barry | F Major | 2 | 7B | 133 BPM | ||
| Fire in a Brooklyn Theatre | Randy Edelman | D Major | 0 | 10B | 111 BPM | ||
| Fish And Train (Alternate Ending) [Bonus Track] | Bill Conti | A♭ Major | 1 | 4B | 140 BPM | ||
| Logan and Rogue | Michael Kamen, The LA Allstar Orchestra | D Minor | 1 | 7A | 79 BPM | ||
| We Have All The Time In The World (James Bond Theme) - Remastered | John Barry, Michael McDonald (remixer) | B Minor | 2 | 10A | 75 BPM | ||
| Oliver Queen Suite | Blake Neely | D♭ Major | 2 | 3B | 95 BPM | ||
| Free Fall | John Debney | D♭ Minor | 3 | 12A | 59 BPM | ||
| Starman Leaves / End Title | Jack Nitzsche | B♭ Major | 2 | 6B | 105 BPM | ||
| The Showdown | Carter Burwell | G Major | 1 | 9B | 78 BPM | ||
| The John Dunbar Theme (From "Dance with Wolves" Soundtrack) | John Barry, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 83 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Another Sunrise | Max Aruj, Alfie Godfrey | A Minor | 1 | 8A | 72 BPM | ||
| Now We Are Free - Honor Him (From "Gladiator") - Epic Version | Pianistec | D Minor | 3 | 7A | 86 BPM | ||
| Main Title / Trinity Infinity - From "The Matrix" | Don Davis | E Minor | 5 | 9A | 136 BPM | ||
| The Wrong Path | Leo Birenberg & Zach Robinson | E Minor | 0 | 9A | 66 BPM | ||
| The Anvil Of Crom - Main Title Conan The Barbarian | Steven Scott Smalley | G Minor | 5 | 6A | 120 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| Robin Hood Prince of Thieves | Michael Kamen, Paul Lavender, Koninklijk HarmonieOrkest Schelle | F Major | 1 | 7B | 69 BPM | ||
| Somewhere In Time | John Barry | C Major | 1 | 8B | 85 BPM | ||
| Nate's Theme | Greg Edmonson | G Major | 3 | 9B | 110 BPM | ||
| Opening Theme (From "V: The Final Battle") | San Fernando Symphonic Assembly | G Minor | 6 | 6A | 95 BPM | ||
| Unchained Melody (From "Ghost") - Orchestral Version | Maurice Jarre | D Major | 2 | 10B | 145 BPM | ||
| Uplink / Amber Launch / Richards Grabs Amber | Harold Faltermeyer | A♭ Major | 5 | 4B | 196 BPM | ||
| The Tao Of Jeet Kune Do - From "Dragon: The Bruce Lee Story" Soundtrack | Randy Edelman | E Minor | 1 | 9A | 73 BPM | ||
| Super/Man | Ilan Eshkeri | B♭ Minor | 1 | 3A | 72 BPM |