"The Sleeping Beauty, Op. 66 : Introduction" by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice had its release date on July 31, 1992. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 65 in the song's album "Tchaikovsky: The Sleeping Beauty (Complete Ballet)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Sleeping Beauty, Op. 66 : Introduction is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op. 66 : Introduction by Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
| Jazz Suite No.2: 7. Dance II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D Major | 1 | 10B | 84 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Lyric Waltz (Suite for Jazz Orchestra No. 1) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E♭ Major | 2 | 5B | 103 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
| La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: III. Siciliana (Anonymous) | Ottorino Respighi, Boston Symphony Orchestra, Seiji Ozawa | C Minor | 2 | 5A | 109 BPM | ||
| Scheherazade: Storm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | C Major | 4 | 8B | 91 BPM | ||
| Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
| The Firebird Suite (1919 Version): Finale - 2017 Remastered Version | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 78 BPM | ||
| Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
| Romeo and Juliet, Op. 64 - Act 1: Juliet's Variation | Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel | F Major | 1 | 7B | 68 BPM | ||
| La Bayadere, Act III: 39. "Entrance of the Shades" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 76 BPM | ||
| The Sleeping Beauty, Op. 66, TH.13 / Act 3: 25c. Pas de quatre: Variation II (Bluebird and Florisse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D♭ Major | 0 | 3B | 87 BPM | ||
| Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
| Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
| The Sleeping Beauty, Op. 66 : (d) Variation D'Aurore | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | G Major | 0 | 9B | 125 BPM | ||
| IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
| Pavane, Op. 50 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F♯ Minor | 0 | 11A | 66 BPM | ||
| The Sleeping Beauty, Op. 66 : (B) Danse des Demoiselles D'honneur (Maids of Honour) | Pyotr Ilyich Tchaikovsky, Slovak State Philharmonic Orchestra, Kosice | E♭ Major | 1 | 5B | 129 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| Symphony No. 1 in E Minor: IV. Finale. Presto | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | E Minor | 1 | 9A | 76 BPM | ||
| Carnival Overture, Op. 92 | Antonín Dvořák, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 145 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
| Raymonda, Act III: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 4 | 7A | 166 BPM |