On October 15, 2013, the song "Ae Maiya More Saiya Ke" was released by Rakesh Pathak, Ravindra Singh. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rakesh Pathak's "Maai Duwariya Jhumke" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Ae Maiya More Saiya Ke's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Ae Maiya More Saiya Ke by Rakesh Pathak, Ravindra Singh to be Allegro (fast, quick, and bright) because the track has a tempo of 152 BPM, a half-time of 76BPM, and a double-time of 304 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Ram Japdai Timro | Bala Bhattarai | F Major | 5 | 7B | 81 BPM | ||
| Baroshe Baroshe Eso | Sdipto Sekhar Mishra | F♯ Minor | 4 | 11A | 141 BPM | ||
| Ramakrishna Charan Saroje | Mahesh Ranjan Shome | F Major | 4 | 7B | 97 BPM | ||
| Ho Rahi Jai - Jaikar Shyam Tere Mandir Mein | Kumar Vishu | A Major | 7 | 11B | 186 BPM | ||
| Sai Ram Jai Sai Ram | Sai Bhajans | F♯ Major | 8 | 2B | 174 BPM | ||
| Himagiri Vara Baala | Parupalli Ranganath | G Minor | 6 | 6A | 83 BPM | ||
| Mann Ke Anhariya | Anand Mohan, Palak, Madhukar Anand | D Minor | 7 | 7A | 80 BPM | ||
| Adham Udharan Avinashi | Swami Shree Chhapaiyaprakashdasji | E♭ Major | 7 | 5B | 139 BPM | ||
| Joyu Joyu Me Virpur | Sanjay Ojha, Meena Patel | B Major | 5 | 1B | 80 BPM | ||
| Nain Mere Bas Jana | Tripti Shakya | B Major | 9 | 1B | 85 BPM | ||
| Maje Kuldevata Tu Khandu Deva | Shankar Patil | F♯ Major | 6 | 2B | 75 BPM | ||
| Roopwa Tor Nirekhu Ae Mayiya | Guddu Rangila | E♭ Minor | 10 | 2A | 140 BPM | ||
| Jiya Na Laage Gharba | Sharda Sinha | B♭ Major | 6 | 6B | 150 BPM | ||
| Ram Ram Siya Ram Bhajale | Sarvesh Mishra | E Minor | 7 | 9A | 100 BPM | ||
| Mein Mehandipur Mein Aayi | Sanjay Bhagi, Rakesh Kala, Vandana Vajpai | F♯ Minor | 6 | 11A | 96 BPM | ||
| Ram Naam Bhajale Pyare | Sarvesh Mishra | B♭ Major | 3 | 6B | 127 BPM | ||
| Vinayaka Nee Murthy Ke | P. Susheela, Vennelakanti | E Minor | 7 | 9A | 104 BPM | ||
| Dharti Badal diya toone gagan | Brahma Kumaris | G Minor | 3 | 6A | 120 BPM | ||
| Seedhi Seedhi Chadhta Ja - REMASTERED | Ravindra Jain, Kavita Krishnamurthy | B Major | 9 | 1B | 85 BPM | ||
| Bolo Ram Bolo Shyam | Anup Jalota, Karishma Bachhav | B Major | 9 | 1B | 85 BPM | ||
| Paap Naash Evam Bhakti Praapti Mantra | Jitender Singh | E♭ Major | 6 | 5B | 91 BPM | ||
| Mor Dai Navdurga | Alka Chandrakar | G Major | 8 | 9B | 93 BPM | ||
| Ram Na Vicharo Mare | Kiran Prajapati | B♭ Minor | 7 | 3A | 147 BPM | ||
| Kannada Naadige | K. Yuvaraj | F♯ Minor | 6 | 11A | 143 BPM | ||
| Tham Tani Moray De | Satish Das | F Major | 2 | 7B | 118 BPM |