On December 31, 1972, the song "Picadillo" was released by Tito Puente & His Orchestra. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Tito Puente And His Concert Orchestra". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Picadillo is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Picadillo by Tito Puente & His Orchestra having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tema De María Cervantes | Charlie Palmieri & His Orchestra | E♭ Minor | 8 | 2A | 118 BPM | ||
| Chinatown (feat. Carlos "Patato" Valdez & Tito Puente) | Jose Mangual, Carlos "Patato" Valdez, Tito Puente | D Minor | 6 | 7A | 106 BPM | ||
| Wampo | Orquesta Harlow | D Major | 4 | 10B | 110 BPM | ||
| Deja Que Diga La Gente | Mario Bauzá | D Minor | 9 | 7A | 123 BPM | ||
| Philadelphia | Bobby Matos and his Afro-Cuban Jazz Ensemble | C Minor | 3 | 5A | 95 BPM | ||
| Perdido | Alegre All Stars | A♭ Major | 7 | 4B | 112 BPM | ||
| No Pienses Así | Tito Puente & His Latin Ensemble | A♭ Major | 1 | 4B | 77 BPM | ||
| Happy Cha-Cha-Cha | Tito Puente & His Orchestra | G Minor | 9 | 6A | 160 BPM | ||
| Ñe Ñe | Monguito Santamaria | C Major | 6 | 8B | 103 BPM | ||
| Ran Kan Kan - Live | Tito Puente & His Latin Ensemble | G Major | 8 | 9B | 115 BPM | ||
| Préstame La Bicicleta | Rubén González | C Major | 3 | 8B | 92 BPM | ||
| Latin Blues | Dave Pike | D Minor | 6 | 7A | 151 BPM | ||
| A Fine Vintage | Beaujolais Band | D Minor | 6 | 7A | 104 BPM | ||
| Mambo De Cuco | Poncho Sanchez | F Major | 5 | 7B | 94 BPM | ||
| NY Latin Jazz Mambo | Papo Vazquez | B♭ Minor | 8 | 3A | 114 BPM | ||
| Little Sunflower | Manny Oquendo | C Major | 5 | 8B | 92 BPM | ||
| Baila Mi Son | Afro-Cuban All Stars, Felix Baloy | D Major | 8 | 10B | 153 BPM | ||
| El Dulcerito Llego | Cuba L.A. | D Major | 8 | 10B | 100 BPM | ||
| Parisian Thoroughfare | Ricardo Ray | F Major | 6 | 7B | 131 BPM | ||
| Long, Long Summer | Francisco Aguabella | F Minor | 6 | 4A | 131 BPM | ||
| Mambo influenciado | Chucho Valdés | B♭ Major | 4 | 6B | 151 BPM | ||
| Corta La Caña | Bongo-Logic | B♭ Major | 3 | 6B | 132 BPM | ||
| El Montino De Patato | Carlos Valdes | F Major | 8 | 7B | 132 BPM | ||
| No Puedo Más | Charlie Palmieri & His Orchestra | F Minor | 8 | 4A | 118 BPM | ||
| La Playa Fantasy | La Playa Sextet | E Major | 5 | 12B | 98 BPM |