"Five Rackets for Trio Relay: II. Ping Pong, Table Tennis and Wiff Waff" by Cheryl Frances-Hoad, Lawson Trio had its release date on 2012. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Five Rackets for Trio Relay: II. Ping Pong, Table Tennis and Wiff Waff's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Long Way Home". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Five Rackets for Trio Relay: II. Ping Pong, Table Tennis and Wiff Waff's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Five Rackets for Trio Relay: II. Ping Pong, Table Tennis and Wiff Waff by Cheryl Frances-Hoad, Lawson Trio having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Actus Caritatis | Pēteris Vasks, Youth Choir "Kamer...", Patriks Kārlis Stepe | D Major | 1 | 10B | 132 BPM | ||
| Scenes from Autistic Bedtimes: II. Six | Cheryl Frances-Hoad, Edward Nieland, Natalie Raybould, Beth Higham-Edwards, Anna Menzies, Alistair Hogarth, George Jackson | D Minor | 0 | 7A | 68 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Cello Sonata in A Minor: II. Lamento | Reynaldo Hahn, Steven Isserlis, Connie Shih | D Minor | 0 | 7A | 78 BPM | ||
| Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
| Gymnopédie No. 1 (Arr. C. Thomas for Cello and Piano) | Erik Satie, Camille Thomas, Julien Brocal | A♭ Major | 0 | 4B | 96 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Clarinet Sonata in F Minor, Op. 120 No. 1: II. Andante un poco adagio | Johannes Brahms, Andreas Ottensamer, José Gallardo | F Major | 0 | 7B | 173 BPM | ||
| Missa Pax: IV. Interlude | Timothy Corlis, James Campbell, Michael Bloss | E Major | 0 | 12B | 85 BPM | ||
| The Thought Machine: V. New Moon | Cheryl Frances-Hoad, Sophie Daneman, Mark Stone, Sholto Kynoch | G Major | 3 | 9B | 98 BPM | ||
| O, Welt, ich muss dich lassen | Johannes Brahms, Eyþór Ingi Jónsson | A♭ Major | 0 | 4B | 96 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | A♭ Major | 0 | 4B | 96 BPM | ||
| Bless the Lord, My Soul | Cyrillus Kreek, Vox Clamantis, Jaan-Eik Tulve | G Major | 0 | 9B | 83 BPM | ||
| The Beatitudes | Arvo Pärt, Theatre Of Voices, Christopher Bowers-Broadbent, Paul Hillier | D Minor | 1 | 7A | 81 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM | ||
| I Will Lift Mine Eyes | Jake Runestad, Kantorei, Joel Rinsema | F Major | 1 | 7B | 176 BPM | ||
| Poor Hymnal: No. 5, The Least of Us | David Lang, The Crossing, Donald Nally | F Minor | 1 | 4A | 139 BPM | ||
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| Annelies: I. Introit - Prelude (Chamber Version) | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Kronstorfer Messe in D Minor, WAB 146: IV. Agnus Dei | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Missa Christi, Festival Mass: III. Sanctus and Benedictus | Kenneth Leighton, The Choir of The Queen's College Oxford, Owen Rees, Ben Gilchrist, Rudyard Cook | A♭ Major | 0 | 4B | 96 BPM |