"Field I: After C" by Richard Reed Parry, Susie Ibarra had its release date on July 15, 2022. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The track order of this song in Richard Reed Parry, Susie Ibarra, OFFAIR's "Heart and Breath: Rhythm and Tone Fields (OFFAIR)" album is number 1 out of 9. On top of that, Canada appears to be the country where this track was created. Based on our statistics, Field I: After C's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Field I: After C by Richard Reed Parry, Susie Ibarra to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sunshine (Adagio in D Minor) | John Murphy | G Major | 3 | 9B | 72 BPM | ||
| Transcendental Blues | Steve Earle | E Major | 8 | 12B | 113 BPM | ||
| Impossible House | Phosphorescent | B Major | 6 | 1B | 145 BPM | ||
| Power to Believe - Instrumental | The Dream Academy | B♭ Major | 3 | 6B | 77 BPM | ||
| Moving Out | Ben Salisbury, Geoff Barrow | D Major | 1 | 10B | 63 BPM | ||
| Back When Movies Were Good | Jay McCarrol | C Major | 1 | 8B | 116 BPM | ||
| Jessica | Mogwai | D Minor | 2 | 7A | 120 BPM | ||
| I. karin & the skirt / II. his parents' graves / III. snack break / IV. Lars | David Torn | C Major | 1 | 8B | 63 BPM | ||
| Start a War | The National | C Major | 4 | 8B | 130 BPM | ||
| Elsewhere Bird | Richard Reed Parry | F Major | 4 | 7B | 102 BPM | ||
| The Pure and the Damned | Oneohtrix Point Never, Iggy Pop | G Major | 3 | 9B | 80 BPM | ||
| Night | Bill Callahan | C Major | 1 | 8B | 121 BPM | ||
| Hope We Can Again | Nine Inch Nails | B♭ Major | 3 | 6B | 77 BPM | ||
| Take No Sides | Relations | A Major | 9 | 11B | 176 BPM | ||
| I Was Calling | Richard Reed Parry, Adam Kinner | F Minor | 3 | 4A | 104 BPM | ||
| Ninna Nanna per adulteri - Remastered | Ennio Morricone | G Major | 3 | 9B | 86 BPM | ||
| City of Dreams | Talking Heads | D Major | 4 | 10B | 97 BPM | ||
| Rhythm Of Life | Hugh Harris | C Major | 6 | 8B | 171 BPM | ||
| Claw Machine | Sloppy Jane, Phoebe Bridgers | B Major | 2 | 1B | 125 BPM | ||
| Fly | Nick Drake | A♭ Major | 4 | 4B | 114 BPM | ||
| American Football | Marcus Mumford, Tom Howe | D Major | 5 | 10B | 95 BPM | ||
| An Immigrant and a Tourist | Christopher Bear, Daniel Rossen | F♯ Major | 3 | 2B | 83 BPM | ||
| Bags Theme | Petey USA | D♭ Major | 2 | 3B | 79 BPM | ||
| Peer Pressure - From "Eternal Sunshine of the Spotless Mind"/Score | Jon Brion | E Major | 0 | 12B | 68 BPM | ||
| Ecstasy | Theodore Shapiro | C Major | 2 | 8B | 87 BPM |