"The Conclusion" by John Morris had its release date on February 1, 1995. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "The Scarlet Letter (Original Soundtrack Recording)". In this album, this song's track order is #14. The Conclusion is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Conclusion by John Morris having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Balcony Scene | Nino Rota, Olivia Hussey | G Major | 2 | 9B | 109 BPM | ||
| Fate Theme | Carmine Coppola | D♭ Major | 0 | 3B | 79 BPM | ||
| Five Years Later | Charlie Chaplin | D Major | 4 | 10B | 75 BPM | ||
| Check Out | Original Soundtrack | F♯ Major | 3 | 2B | 141 BPM | ||
| 200 Years | Henry Gibson | E♭ Major | 5 | 5B | 79 BPM | ||
| One | Marvin Hamlisch, A Chorus Line Ensemble, Don Pippin | E♭ Major | 4 | 5B | 126 BPM | ||
| A Night At the Opera: Alone (2) - MGM 1935 | The Marx Brothers | F Major | 2 | 7B | 84 BPM | ||
| Swee'Pea's Lullaby | Robin Williams | C Major | 4 | 8B | 117 BPM | ||
| Don't Put Your Daughters on the Stage | Kenneth Williams | E♭ Major | 4 | 5B | 127 BPM | ||
| H.M.S. Pinafore, Act I: My Gallant Crew | Gilbert & Sullivan Society of Houston | A Major | 4 | 11B | 101 BPM | ||
| Yankee Doodle Dandy | James Cagney | E Major | 7 | 12B | 73 BPM | ||
| Young Frankenstein: Intermezzo | John Morris, Duo Intermezzo | D♭ Major | 2 | 3B | 86 BPM | ||
| Sitting Pretty | Ralph Burns | F Major | 7 | 7B | 129 BPM | ||
| Mary's A Grand Old Name | James Cagney & Sally Sweetland | E♭ Major | 1 | 5B | 76 BPM | ||
| Solace - The Sting/Soundtrack Version (Orchestra Version) | Marvin Hamlisch | F Major | 2 | 7B | 108 BPM | ||
| Contest Winners - Excerpt from Carrie | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| C'est moi - Lancelot | Frances Nero, Lee Herschberg | C Major | 2 | 8B | 93 BPM | ||
| Radio Cario | John Morris | E Major | 0 | 12B | 89 BPM | ||
| Prologue / Main Title | Angela Morley, Michael Hordern | D Minor | 2 | 7A | 89 BPM | ||
| Country Wide | Anthony Mawer | C Major | 2 | 8B | 92 BPM | ||
| The Entertainer - The Sting/Soundtrack Version/Orchestra Version | Marvin Hamlisch | C Major | 4 | 8B | 157 BPM | ||
| Company - Original Broadway Cast: Company | Stephen Sondheim, Dean Jones, Company Ensemble, Harold Hastings | G Major | 6 | 9B | 75 BPM | ||
| Theme From The Virginian | The Starshine Orchestra And Singers | G Major | 7 | 9B | 75 BPM | ||
| West Side Story: Act II: End Credits | Leonard Bernstein, Johnny Green, West Side Story Orchestra | G Major | 2 | 9B | 86 BPM | ||
| The Dance Sequence | Original Soundtrack | C Major | 3 | 8B | 117 BPM |