On January 1, 1989, the song "The Typewriter" was released by Leroy Anderson, Werner Brock, WDR Rundfunkorchester Köln, Pinchas Steinberg. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 19 in Anderson, L.: Orchestral Music -Blue Tango / the Syncopated Clock / Belle of the Ball / Saraband / Sandpaper Ballet (Symphonic Pops) by Leroy Anderson, Pinchas Steinberg, WDR Rundfunkorchester Köln. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The Typewriter is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Typewriter by Leroy Anderson, Werner Brock, WDR Rundfunkorchester Köln, Pinchas Steinberg is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| London Suite: 3. Knightsbridge (March) | Eric Coates, BBC Concert Orchestra, Barry Wordsworth | C Major | 3 | 8B | 124 BPM | ||
| Miss Shepherd's Waltz | George Fenton | C Minor | 1 | 5A | 98 BPM | ||
| Humoresque, Op. 101 No. 7 | Antonín Dvořák, Neeme Järvi, Detroit Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
| Amparito Roca | Banda de Musica de la Guardia Real | C Major | 2 | 8B | 118 BPM | ||
| Orphée aux enfers: Can-can (Featured in "Peter's Friends") | Jacques Offenbach, Slovak State Philharmonic Orchestra, Johannes Wildner | D Major | 4 | 10B | 146 BPM | ||
| Concerto for Cello & Wind Band: V. Finale: Alla Marcia | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Major | 2 | 7B | 153 BPM | ||
| The Floral Dance | The Brighouse & Rastrick Band | D♭ Major | 4 | 3B | 90 BPM | ||
| Leichte Kavallerie: Overture | Franz von Suppé, Ivan Repušić, Munich Radio Orchestra | E Major | 3 | 12B | 128 BPM | ||
| Joropo | Johan de Meij | D Minor | 3 | 7A | 115 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
| Procession of the Nobles | Olive the Otter Dog | C Minor | 2 | 5A | 112 BPM | ||
| The Pussy Foot | Leroy Anderson | C Minor | 6 | 5A | 142 BPM | ||
| Chanson de Matin, Op. 15 No. 2 (Version for Orchestra) | Edward Elgar, New Zealand Symphony Orchestra, James Judd | G Major | 1 | 9B | 141 BPM | ||
| The Typewriter | Leroy Anderson, Eastman-Rochester Pops Orchestra, Frederick Fennell | G Major | 4 | 9B | 148 BPM | ||
| The Lochnagar Suite: II. Dark Lochnagar | Nigel Hess, Central Band Of The Royal Air Force | D Minor | 0 | 7A | 124 BPM | ||
| Quintet for Bassoon, Violin, 2 Violas and Violoncello in B-Flat Major, Op. 14: III. Andante | Johann Evangelist Brandl, Calamus Ensemble | B♭ Major | 1 | 6B | 136 BPM | ||
| Marienbader Polka | Frantisek Matej Hilmar, R. Glembotzki, WDR Rundfunkorchester Köln, Alfred Walter | A Major | 1 | 11B | 79 BPM | ||
| Binge: Elizabethan Serenade, "The Man in the Street" | Ronald Binge, Reginald Kilbey, Studio 2 Symphony Orchestra | F Major | 1 | 7B | 149 BPM | ||
| Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
| Fantasia on Greensleeves (Arr. R. Greaves for Orchestra) | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 108 BPM | ||
| The Love for Three Oranges Op. 33: Marche | Sergei Prokofiev, Kent Nagano, Orchestre De L'Opéra National De Lyon | A♭ Major | 4 | 4B | 128 BPM | ||
| Victoria Galop - 1856 | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 4 | 10B | 144 BPM | ||
| Suite for Variety Orchestra: Waltz 2 (Arr. for 12 Cellos) | Dmitri Shostakovich, Die 12 Cellisten der Berliner Philharmoniker | C Minor | 1 | 5A | 181 BPM | ||
| Fra Holbergs tid, Op. 40: III. Gavotte (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 122 BPM | ||
| The Prince of Denmark's March | Jeremiah Clarke, Wynton Marsalis, Anthony Newman, English Chamber Orchestra | D Major | 2 | 10B | 127 BPM |