"The Calling" by Zack Hemsey had its release date on June 30, 2011. The duration of This song is about 3 minutes long, at 3:22. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "The Way". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The Calling is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Calling by Zack Hemsey having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Last Light | Matias Puumala | A Minor | 7 | 8A | 89 BPM | ||
| Blackfyre | Epic Score, Snorre Tidemand | C Minor | 8 | 5A | 80 BPM | ||
| Where There Is Darkness | Paul Leonard-Morgan | A Major | 4 | 11B | 128 BPM | ||
| Wars of Faith | Audiomachine | C Minor | 4 | 5A | 91 BPM | ||
| Lockdown | Steve Jablonsky | F Minor | 3 | 4A | 60 BPM | ||
| Push Through | Phil Larson | F Minor | 5 | 4A | 170 BPM | ||
| Sanctus Immortale | Trailerhead | D Major | 9 | 10B | 145 BPM | ||
| Indestructible | 8Dawn | D♭ Major | 5 | 3B | 170 BPM | ||
| Fire of Zeus | Ryan Amon | D Major | 8 | 10B | 170 BPM | ||
| Dawnbreaker | Mitchell Broom | D Minor | 5 | 7A | 110 BPM | ||
| Together We Rise | Mitchell Broom | D Minor | 6 | 7A | 120 BPM | ||
| Overcome Anything | Aleksandar Dimitrijevic | D Major | 9 | 10B | 145 BPM | ||
| Burried Power | 8Dawn | F Minor | 6 | 4A | 160 BPM | ||
| Don't Get In My Way (Instrumental) | Zack Hemsey | D♭ Major | 4 | 3B | 118 BPM | ||
| No Going Back | Tom Player | D Minor | 4 | 7A | 75 BPM | ||
| This Is Not the End | Tybercore | A♭ Major | 7 | 4B | 85 BPM | ||
| Sacrifice | Steve Jablonsky | D Minor | 1 | 7A | 89 BPM | ||
| Basalt | The Hit House, Danail Getz | G Major | 7 | 9B | 135 BPM | ||
| Automatic | John Murphy | D Minor | 5 | 7A | 138 BPM | ||
| Vision | Hannah Parrott | A♭ Major | 3 | 4B | 148 BPM | ||
| Doom | Imagine Music | D Minor | 5 | 7A | 90 BPM | ||
| Desolator | Ghostwriter | F Minor | 4 | 4A | 75 BPM | ||
| Compelled | Jack Trammell | D Major | 7 | 10B | 75 BPM | ||
| We Rise | Sybrid | D Minor | 6 | 7A | 93 BPM | ||
| The Glorious Ones | Epic Soul Factory, Cesc Vilà, Fran Soto | A Minor | 7 | 8A | 76 BPM |