Peter Cook, Dudley Moore's 'Tea for Two' had a release date set for August 8, 1973. This song appears to be safe for all ages as it is not explicit. The song is number 5 out of 5 in Behind the Fridge by Peter Cook, Dudley Moore. In terms of popularity, Tea for Two is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tea for Two by Peter Cook, Dudley Moore is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Q5 Piano Tune | Spike Milligan | C Major | 3 | 8B | 113 BPM | ||
| This Bloke Came Up To Me - Live/1973 | Dudley Moore, Peter Cook | D♭ Major | 2 | 3B | 130 BPM | ||
| Hey Partners | Tim Vine | D♭ Major | 10 | 3B | 135 BPM | ||
| Manliness | Joe Lycett | A Major | 7 | 11B | 78 BPM | ||
| Charity Ideas | Jimmy Carr | B Minor | 8 | 10A | 87 BPM | ||
| War | Milton Jones | D Minor | 4 | 7A | 106 BPM | ||
| The Worst Job I Ever Had - Live | Dudley Moore, Peter Cook | G Major | 2 | 9B | 122 BPM | ||
| Time to Sing a Melody | Tim Vine | A Major | 9 | 11B | 73 BPM | ||
| Full Length | Roy Chubby Brown | C Major | 9 | 8B | 99 BPM | ||
| Bridge on the River Wye, Pt. 2 | Spike Milligan, Peter Cook, Peter Sellers, Jonathan Miller | C Minor | 3 | 5A | 73 BPM | ||
| On Mother Kelly's Doorstep | Danny La Rue | B♭ Major | 2 | 6B | 131 BPM | ||
| They Call Me Pam | Victoria Wood | A Major | 7 | 11B | 95 BPM | ||
| Cheese Emporium | Monty Python | D Major | 3 | 10B | 111 BPM | ||
| Bobby Dazzler | Sarah Millican | B♭ Minor | 8 | 3A | 103 BPM | ||
| Male Sexuality | Frankie Boyle | A Major | 6 | 11B | 93 BPM | ||
| Religious | Tommy Tiernan | E Minor | 4 | 9A | 99 BPM | ||
| Stag Do | Joe Lycett | A Major | 7 | 11B | 78 BPM | ||
| Caught Short | Andy Parsons | D♭ Major | 8 | 3B | 95 BPM | ||
| Favourite Birds | Tim Vine | D♭ Major | 10 | 3B | 99 BPM | ||
| Bum Towel | Sarah Millican | E♭ Major | 8 | 5B | 138 BPM | ||
| Can We Start Again? | Sean Lock | F♯ Major | 7 | 2B | 77 BPM | ||
| Plib | Peter Cook | A Minor | 5 | 8A | 130 BPM | ||
| Tits or Bum | Jimmy Carr | A♭ Major | 8 | 4B | 88 BPM | ||
| Littering in Cinemas | Sean Lock | E♭ Major | 5 | 5B | 68 BPM | ||
| Gettysburg PR | Bob Newhart | E♭ Minor | 7 | 2A | 90 BPM |